Literary Significance and Reception
The Times Literary Supplement on April 14, 1932, stated that the "actual solution is quite unusually ingenious, and well up to the standard of Mrs. Christie's best stories. Everything is perfectly fair, and it is possible to guess the solution of the puzzle fairly early in the book, though it is certainly not easy." The review further opined that, "This is certainly one of those detective stories which is pure puzzle, without any ornament or irrelevant interest in character. Poirot and his faithful Captain Hastings are characters whom one is glad to meet again, and they are the most lively in the book, but even they are little more than pawns in this problem. But the plot is arranged with almost mathematical neatness, and that is all that one wants."
Isaac Anderson began his review in The New York Times Book Review on March 6, 1932, by saying, "With Agatha Christie as the author and Hercule Poirot as the central figure, one is always assured of an entertaining story with a real mystery to it." He concluded, "The person who is responsible for the dirty work at End House is diabolically clever, but not quite clever enough to fool the little Belgian detective all the time. A good story with a most surprising finish."
Robert Barnard: "A cunning use of simple tricks used over and over in Christie's career (be careful, for example, about names – diminutives and ambiguous male-female Christian names are always possibilities as reader deceivers). Some creaking in the machinery, and rather a lot of melodrama and improbabilities, prevent this from being one of the very best of the classic specimens."
Read more about this topic: Peril At End House
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