Performance Surface - Performance Surface Construction

Performance Surface Construction

The performance surface is normally of vinyl or hardwood, engineered wood or laminate. For dance the surface may be replaceable so for instance a theatre can adapt easily to either ballet or tap dance, these are normally made of vinyl sheeting. Hardwood is however preferred for tap dance. Some sports have extra requirements like spike resistance or a standard ball bounce.

Roll-up vinyl sheeting normally consists of:

  • A thin top wear layer that also has UV light protection. Ultraviolet light rapidly degrades vinyl. This layer has to provide the proper traction and tends to be matte rather than shiny as for domestic vinyl.
  • A layer of vinyl which supports the wear layer. This also provides the main colour.
  • A woven fibre interlayer. This stops the floor deforming and also provides some area elasticity.
  • A bottom layer of foamed vinyl which provides the softness.

When rolled up the vinyl should not be bent sharply - it should be on rolls. When there are a number of different surfaces for a hall these can be kept on special storage carts which keep them separate rather than lying on each other.

Read more about this topic:  Performance Surface

Famous quotes containing the words performance, surface and/or construction:

    The audience is the most revered member of the theater. Without an audience there is no theater. Every technique learned by the actor, every curtain, every flat on the stage, every careful analysis by the director, every coordinated scene, is for the enjoyment of the audience. They are our guests, our evaluators, and the last spoke in the wheel which can then begin to roll. They make the performance meaningful.
    Viola Spolin (b. 1911)

    And yet we constantly reclaim some part of that primal spontaneity through the youngest among us, not only through their sorrow and anger but simply through everyday discoveries, life unwrapped. To see a child touch the piano keys for the first time, to watch a small body slice through the surface of the water in a clean dive, is to experience the shock, not of the new, but of the familiar revisited as though it were strange and wonderful.
    Anna Quindlen (b. 1952)

    There’s no art
    To find the mind’s construction in the face.
    William Shakespeare (1564–1616)