Career
Pepe was a virtuoso exponent of 'Flamenco Lírico', a style of playing which emphasises the melodic as well as rhythmic elements of flamenco. His musical style reflected his warm personality. His playing, even more than many other flamenco guitarists of the time, was strongly influenced by that of his mentor, Ramón Montoya.
Pepe initially excelled in accompanying the cante and baile before developing a solo concert career. As an accompanist he played with such artists as Pepe Marchena, Niña de los Peines, Pepe Pinto, Juanito Valderrama, Niña de la Puebla, Niña de Antequera, Pepe Aznalcollar, Pepe Guillena, Niño de la Huerta amongst others.
Pepe was cited by Carlos Montoya, in the New York Guitar Review, as being one of the very finest flamenco guitarists of his generation along with Manolo de Huelva, Sabicas, Mario Escudero and Niño Ricardo.
Pepe Martínez made many recordings throughout his career, in Spain, France and the UK, on Columbia, Belter, Discophone, HMV, Odeon, Hispavox, Decca, Odean, Guilde Internationale du Disque and Discophon.
The BBC made a documentary about his life called My Friend Pepe Martinez which was part of a series of programs about the spirit of Spain. Pepe also featured, along with Andres Segovia, in a French television film titled Sortileges du Flamenco.
During his career, Martínez played guitars by Archangel Fernandez, Marcelo Barbero and Manuel Reyes. It was Pepe Martínez who introduced the young Manuel Reyes to the workshop of Marcelo Barbero.
His pupil, Prof. Malcolm Weller, of the Spanish Guitar Centre, owns his Barbero guitar.
Read more about this topic: Pepe Martinez
Famous quotes containing the word career:
“What exacerbates the strain in the working class is the absence of money to pay for services they need, economic insecurity, poor daycare, and lack of dignity and boredom in each partner’s job. What exacerbates it in upper-middle class is the instability of paid help and the enormous demands of the career system in which both partners become willing believers. But the tug between traditional and egalitarian models of marriage runs from top to bottom of the class ladder.”
—Arlie Hochschild (20th century)
“I restore myself when I’m alone. A career is born in public—talent in privacy.”
—Marilyn Monroe (1926–1962)
“My ambition in life: to become successful enough to resume my career as a neurasthenic.”
—Mason Cooley (b. 1927)