People Of The Sengoku Period In Popular Culture
Many significant Japanese historical people of the Sengoku period appear in works of popular culture such as anime, manga, and video games. This article presents information on references to several historical people in such works.
Read more about People Of The Sengoku Period In Popular Culture: Akechi Mitsuhide, Azai Nagamasa, Chōsokabe Motochika, Date Masamune, Honda Tadakatsu, Hosokawa Gracia, Imagawa Yoshimoto, Ishida Mitsunari, Izumo No Okuni, Katakura Kojūrō, Kobayakawa Hideaki, Komatsuhime, Kuroda Kanbei, Maeda Matsu, Maeda Toshiie, Maeda Toshimasu, Matsunaga Hisahide, Mōri Motonari, Mori Ranmaru, Naoe Kanetsugu, Nene, Nōhime, Oichi, Ōtani Yoshitsugu, Saitō Dōsan, Otomo Sorin, Sanada Masayuki, Sanada Yukimura, Sasaki Kojirō, Shibata Katsuie, Shima Sakon, Shimazu Yoshihiro, Suzuki Magoichi, Tachibana Ginchiyo, Tachibana Muneshige, Takeda Shingen, Takenaka Shigeharu, Tokugawa Ieyasu, Toyotomi Hideyoshi, Uesugi Kenshin, Yagyū Muneyoshi, Yamamoto Kansuke, See Also
Famous quotes containing the words popular culture, people, period, popular and/or culture:
“Popular culture is seductive; high culture is imperious.”
—Mason Cooley (b. 1927)
“Do not give heed to everything that people say, or you may hear your servant cursing you; your heart knows that many times you have yourself cursed others.”
—Bible: Hebrew, Ecclesiastes 7:21.
“The Good of man is the active exercise of his soul’s faculties in conformity with excellence or virtue.... Moreover this activity must occupy a complete lifetime; for one swallow does not make spring, nor does one fine day; and similarly one day or a brief period of happiness does not make a man supremely blessed and happy.”
—Aristotle (384–322 B.C.)
“The best of us would rather be popular than right.”
—Mark Twain [Samuel Langhorne Clemens] (1835–1910)
“A culture may be conceived as a network of beliefs and purposes in which any string in the net pulls and is pulled by the others, thus perpetually changing the configuration of the whole. If the cultural element called morals takes on a new shape, we must ask what other strings have pulled it out of line. It cannot be one solitary string, nor even the strings nearby, for the network is three-dimensional at least.”
—Jacques Barzun (b. 1907)