Pennsylvania Academy of The Fine Arts - History

History

Pennsylvania Academy of the Fine Arts was founded in 1805 by painter and scientist Charles Willson Peale, sculptor William Rush, and other artists and business leaders. The growth of the Academy of Fine Arts was slow. It held its exhibitions for many years in a modern building of the Ionic order designed by John Dorsey which was built in 1806, and stood on the site of the American Theater on Chestnut Street. It opened as a museum in 1807 and held its first exhibition in 1811 where more than 500 paintings and statuary were on display. The first school classes held in the building were with the Society of Artists in 1810. The Academy was reconstructed after the fire of 1845, and 23 years later steps were taken to construct a building more worthy of its treasures, the current Furness-Hewitt building opened in 1876.

In 1876, former Academy student Thomas Eakins returned to teach as a volunteer. Fairman Rogers, chairman of the Committee on Instruction, 1878–1883, made him a faculty member in 1878, and promoted him to director in 1882. Eakins re-vamped the certificate curriculum to what it remains today. Students in the certificate program learn fundamentals of drawing, painting, sculpture, and printmaking (lithography) for two years, after which they enjoy two years of independent study, guided by frequent, helpful critiques from faculty, students, and visiting artists alike.

From 1811 to 1969, the Academy also organized important annual art exhibitions from which significant acquisitions were made. Harrison S. Morris, Managing Director from 1892 to 1905, collected contemporary American art for the institution. Among the many masterpieces acquired during his tenure were works by Cecilia Beaux, William Merritt Chase, Frank Duveneck, Thomas Eakins, Winslow Homer, Childe Hassam, and Edmund Tarbell. Work by The Eight, which included former Academy students Robert Henri and John Sloan, is well represented in the collection, and provides a transition between 19th- and 20th- century art movements.

From 1890 to 1906, Edward Hornor Coates served as the tenth president of the Academy. Painter John McLure Hamilton, who began his art education at the Academy under Thomas Eakins, describes the contributions Mr. Coates made during his tenure:

The reign of Mr. Coates at the Academy marked the period of its greatest prosperity. Rich endowments were made to the schools, a gallery of national portraiture was formed, and some of the best examples of Gilbert Stuart's work acquired. The annual exhibitions attained a brilliancy and éclat hitherto unknown... Mr. Coates wisely established the schools upon a conservative basis, building almost unconsciously the dykes high against the oncoming flow of insane novelties in art patterns... In this last struggle against modernism the President was ably supported by Eakins, Anschutz, Grafly, Thouron, Vonnoh, and Chase... His unfailing courtesy, his disinterested thoughtfulness, his tactfulness, and his modesty endeared him to scholars and masters alike. No sacrifice of time or of means was too great, if he thought he could accomplish the end he always had in view—the honour and the glory of the Academy. It was under Mr. Coates' enlightened direction that was fulfilled the expressed wish of Benjamin West, the first honorary Academician, that "Philadelphia may be as much celebrated for her galleries of paintings by the native genius of the country, as she is distinguished by the virtues of her people ; and that she may be looked up to as the Athens of the Western World in all that can give polish to the human mind."