Musical Settings
Perhaps the most famous musical setting of all seven is by Orlande de Lassus, with his Psalmi Davidis poenitentiales of 1584. There are also fine settings by Andrea Gabrieli and by Giovanni Croce. The Croce pieces are unique in being settings of Italian sonnet-form translations of the Psalms by Francesco Bembo. These were widely distributed; they were translated into English and published in London as Musica Sacra; and were even translated (back) into Latin and published in Nürnberg as Septem Psalmi poenitentiales. William Byrd set all seven Psalms in English versions for three voices in his Songs of Sundrie Natures (1589). Settings of individual penitential psalms have been written by many composers. Well-known settings of the Miserere (Psalm 51) include those by Gregorio Allegri and Josquin des Prez. Settings of the De profundis (Psalm 130) include two in the Renaissance by Josquin.
Read more about this topic: Penitential Psalms
Famous quotes containing the word musical:
“Fifty million Frenchmen can’t be wrong.”
—Anonymous. Popular saying.
Dating from World War I—when it was used by U.S. soldiers—or before, the saying was associated with nightclub hostess Texas Quinan in the 1920s. It was the title of a song recorded by Sophie Tucker in 1927, and of a Cole Porter musical in 1929.