Personal Life and Later Years
Pearl White was a wealthy young woman when in 1919 she met and married World War I veteran Major Wallace McCutcheon, Jr. (1880–1928), an actor, director, and cinematographer. However, the marriage failed and they divorced in 1921. Two years later, White made her last American film.
Influenced by the French friends from Pathé Studios, White was drawn to the artistic gathering in the Montparnasse Quarter of Paris. While living there, she made her last film for her friend, Belgian-born director Edward José, who had directed her in several serials. Silent films could be made in any country, and as White was a recognizable star worldwide, she was offered many roles in France. Instead, she chose to perform on stage in a Montmartre production "Tu Perds la Boule" (You Lost the Ball). In 1925 she accepted an offer to star with comedian Max Wall in the "London Review" at the Lyceum Theatre in London.
White's childhood poverty made her frugal with money. A shrewd businesswoman, she invested in a successful Parisian nightclub, a Biarritz resort hotel/casino, plus a profitable stable of thoroughbred race horses. Living in a fashionable town house in the exclusive Parisian suburb of Passy, she also owned a villa in Rambouillet. She became involved with Theodore Cossika, a Greek businessman who shared her love of travel. Together they purchased a home near Cairo, Egypt, and White travelled with him throughout the Middle East and the Orient. White then returned to France. She made just one more film, Terror (1924).
She starred in several popular stage reviews at the Montmartre Music Hall in Paris, and was in a London revue with George Carney. She then retired from performing.
Read more about this topic: Pearl White
Famous quotes containing the words personal, life and/or years:
“Wilson adventured for the whole of the human race. Not as a servant, but as a champion. So pure was this motive, so unflecked with anything that his worst enemies could find, except the mildest and most excusable, a personal vanity, practically the minimum to be human, that in a sense his adventure is that of humanity itself. In Wilson, the whole of mankind breaks camp, sets out from home and wrestles with the universe and its gods.”
—William Bolitho (1890–1930)
“Kittering’s brain. What we will he think when he resumes life in that body? Will he thank us for giving him a new lease on life? Or will he object to finding his ego living in that human junk heap?”
—W. Scott Darling, and Erle C. Kenton. Dr. Frankenstein (Sir Cedric Hardwicke)
“Keeping up with the Joneses was a full-time job with my mother and father. It was not until many years later when I lived alone that I realized how much cheaper it was to drag the Joneses down to my level.”
—Quentin Crisp (b. 1908)