Pawn (chess) - Movement

Movement

a b c d e f g h
8 8
7 7
6 6
5 5
4 4
3 3
2 2
1 1
a b c d e f g h
Initial placement of the pawns.
a b c d e f g h
8 8
7 7
6 6
5 5
4 4
3 3
2 2
1 1
a b c d e f g h
Pawn movement: A pawn can move to the square directly in front of itself, if that square is clear. A pawn on its starting rank has the option of moving two squares.
Chess pieces
King
Queen
Rook
Bishop
Knight
Pawn

Pawns are unusual in how they move. Unlike the other pieces, pawns may not move backwards. Normally a pawn moves by advancing a single square, but the first time a pawn is moved, it has the option of advancing two squares. Pawns may not use the initial two-square advance to jump over an occupied square, or to capture. Any piece directly in front of a pawn, friend or foe, blocks its advance. In the diagram at right, the pawn on c4 may move to c5, while the pawn on e2 may move to either e3 or e4.

Read more about this topic:  Pawn (chess)

Famous quotes containing the word movement:

    Institutional psychiatry is a continuation of the Inquisition. All that has really changed is the vocabulary and the social style. The vocabulary conforms to the intellectual expectations of our age: it is a pseudo-medical jargon that parodies the concepts of science. The social style conforms to the political expectations of our age: it is a pseudo-liberal social movement that parodies the ideals of freedom and rationality.
    Thomas Szasz (b. 1920)

    I am a writer and a feminist, and the two seem to be constantly in conflict.... ever since I became loosely involved with it, it has seemed to me one of the recurring ironies of this movement that there is no way to tell the truth about it without, in some small way, seeming to hurt it.
    Nora Ephron (b. 1941)

    An actor rides in a bus or railroad train; he sees a movement and applies it to a new role. A woman in agony of spirit might turn her head just so; a man in deep humiliation probably would wring his hands in such a way. From straws like these, drawn from completely different sources, the fabric of a character may be built. The whole garment in which the actor hides himself is made of small externals of observation fitted to his conception of a role.
    Eleanor Robson Belmont (1878–1979)