Literary Work
His first novel, Waldo, was published during his time in Uganda and was moderately successful. He published several more novels over the next few years, including Fong and the Indians and Jungle Lovers. On his return to Malawi many years later, he found that this latter novel, which was set in that country, was still banned, a story told in his book Dark Star Safari.
After moving to London in 1972, Theroux set off on an epic journey by train from Great Britain to Japan and back. His account of this journey was published as The Great Railway Bazaar, his first major success as a travel writer and now a classic in the genre. He has since written a number of other travel books, including descriptions of traveling by train from Boston to Argentina (The Old Patagonian Express), walking around the United Kingdom (The Kingdom By The Sea), kayaking in the South Pacific (The Happy Isles Of Oceania), visiting China (Riding the Iron Rooster), and traveling from Cairo to Cape Town (Dark Star Safari). As a traveler he is noted for his rich descriptions of people and places, laced with a heavy streak of irony, or even misanthropy. Other non-fiction by Theroux includes Sir Vidia's Shadow, an account of his personal and professional friendship with Nobel laureate V. S. Naipaul that ended abruptly after 30 years.
Read more about this topic: Paul Theroux
Famous quotes containing the words literary work, literary and/or work:
“Literary works cannot be taken over like factories, or literary forms of expression like industrial methods. Realist writing, of which history offers many widely varying examples, is likewise conditioned by the question of how, when and for what class it is made use of.”
—Bertolt Brecht (1898–1956)
“Much of the wisdom of the world is not wisdom, and the most illuminated class of men are no doubt superior to literary fame, and are not writers.”
—Ralph Waldo Emerson (1803–1882)
“The real risks for any artist are taken ... in pushing the work to the limits of what is possible, in the attempt to increase the sum of what it is possible to think. Books become good when they go to this edge and risk falling over it—when they endanger the artist by reason of what he has, or has not, artistically dared.”
—Salman Rushdie (b. 1947)