Paul Romero - Early Life and Classical Piano

Early Life and Classical Piano

Romero taught himself to play the piano at age of three. He began his formal piano and composition training at the age of 9 and made his concert debut when he was 11, playing a Mozart piano concerto with the Santa Monica Symphony Orchestra. He composed his first original piano concerto at the age of 13. This concerto was premiered by the United States National Symphony Orchestra of Washington D.C. under Mstislav Rostropovich, with Romero as the piano soloist. The premiere took place at the Kennedy Center and was followed by an encore performance at the United Nations General Assembly Hall in New York City. The concert was televised around the world and brought him international attention as a young composing prodigy. The Yamaha music label recorded the concerts, a CD which is still available in Japan.

At the age of 16 he received a full college scholarship to the Curtis Institute of Music in Philadelphia, Pennsylvania where he studied composing under Pulitzer Prize winner, Ned Rorem. He also studied piano under Vladimir Sokoloff, Jorge Bolet, and Chamber music with members of the Guanari String quartet. He finished his musical training at the Conservatoire de Paris in France and the Guildhall School of Music and Drama in London England.

He has performed in cities such as Tokyo, London, Paris, New York and Washington D.C. Some of his concert highlights have been performances at the Walt Disney Concert Hall in Los Angeles, California, the Mexican Embassy in Washington D.C., the Palace of the France-Americique Institute in Paris, Carnegie Hall in New York, and two performances at the Gemeldiche Museum in Berlin, Germany as well as one performance at the Berliner Philharmonie. His latest CD, "An American In Paris", features his live performance in Paris of George Gershwin's Rhapsody in Blue.

Read more about this topic:  Paul Romero

Famous quotes containing the words early, life, classical and/or piano:

    If there is a price to pay for the privilege of spending the early years of child rearing in the driver’s seat, it is our reluctance, our inability, to tolerate being demoted to the backseat. Spurred by our success in programming our children during the preschool years, we may find it difficult to forgo in later states the level of control that once afforded us so much satisfaction.
    Melinda M. Marshall (20th century)

    What life is best?
    Courts are but only superficial schools
    To dandle fools:
    The rural parts are turned into a den
    Of savage men:
    And where ‘s a city from all vice so free,
    But may be termed the worst of all the three?
    Francis Bacon (1561–1626)

    The basic difference between classical music and jazz is that in the former the music is always greater than its performance—Beethoven’s Violin Concerto, for instance, is always greater than its performance—whereas the way jazz is performed is always more important than what is being performed.
    André Previn (b. 1929)

    Film music should have the same relationship to the film drama that somebody’s piano playing in my living room has to the book I am reading.
    Igor Stravinsky (1882–1971)