Concept Work
The relation of concepts and cases in Rabinow’s work distinguishes itself from the more common mode of social science work predicated on using examples to test general theories or philosophical practice that seeks analytic clarity about universals or general (often highly abstract) cases. In contrast, Rabinow argues that work on concepts opens up and orients inquiry into the concrete features of distinctive cases, whereas the use of ostensibly timeless theory or universal concepts are unlikely to be very helpful in drawing attention to particularities and singularities. Given this goal, such traditional approaches can function as a real impediment to inquiry. Rabinow defines concept work as “constructing, elaborating and testing a conceptual inventory as well as specifying and experimenting with multi-dimensional diagnostic and analytic frames.” In that sense, Rabinow’s work continues with appropriate modifications a social scientific tradition stretching from Max Weber through Clifford Geertz.
Rabinow holds that concepts are tools designed to be used on specified problems and calibrated to the production of pragmatic outcomes both analytic and ethical. As such, concepts must be adjusted to the changing topology of problem spaces. Concept work involves archaeological, genealogical, and diagnostic dimensions. Archaeologically, concept work involves investigating and characterizing concepts as part of a prior repertoire or structured conceptual ensemble. Genealogically, concept work frees concepts from their field of emergence by showing the contingent history of their selection, formation, as well as their potential contemporary significance. Diagnostically, concept work involves a critical function: testing the adequacy and appropriateness of a given concept or repertoire of concepts to new problems and purposes.
Read more about this topic: Paul Rabinow
Famous quotes containing the words concept and/or work:
“The concept of a mental state is primarily the concept of a state of the person apt for bringing about a certain sort of behaviour.”
—David Malet Armstrong (b. 1926)
“Just as a chemist “isolates” a substance from contaminations that distort his view of its nature and effects, so the work of art purifies significant appearance. It presents abstract themes in their generality, but not reduced to diagrams.”
—Rudolf Arnheim (b. 1904)