Selected Filmography
Working in all manner of films from the silent era, talkies, television, and beyond. Many of his films are available on Home Media, or are in the Public Domain. Sadly, some have not survived, and are no longer extant.
| Film | |||
|---|---|---|---|
| Year | Film | Role | Notes |
| 1919 | Anne of Green Gables | Gilbert Blythe | |
| 1927 | Slide, Kelly, Slide | Dillon | |
| Special Delivery | Tuck, another detective | ||
| 1934 | Death on the Diamond | Jimmie Downey | |
| 1936 | Murder with Pictures | I. B. McCoogin | |
| 1937 | Navy Blue and Gold | Tommy Milton (varsity coach) | |
| 1938 | Island in the Sky | Gloria Stuart, Michael Whalen, Paul Kelly | |
| 1939 | 6,000 Enemies | Dr. Malcolm Scott | |
| The Roaring Twenties | Nick Brown | ||
| 1940 | The Howards of Virginia | Captain Jabez Allen | Alternative title: The Tree of Liberty |
| Flight Command | Lieutenant Commander "Dusty" Rhodes | ||
| 1941 | Ziegfeld Girl | John Slayton | |
| 1942 | Flying Tigers | Hap Smith - Pilot | |
| Tarzan's New York Adventure | Jimmy Shields - Pilot | ||
| The Secret Code | Dan Barton | 15-chapter serial; leading role | |
| 1945 | Allotment Wives | Major Pete Martin | |
| 1947 | Fear in the Night | Cliff Herlihy | |
| Crossfire | The Man | ||
| 1950 | The File on Thelma Jordon | Miles Scott | |
| The Secret Fury | District Attorney Eric Lowell | ||
| 1951 | The Painted Hills | Jonathan Harvey | Alternative titles: Lassie's Adventures in the Goldrush Lassie's Christmas Story |
| 1953 | Gunsmoke | Dan Saxon | Alternative titles: A Man's Country Roughshod |
| 1954 | The High and the Mighty | Donald Flaherty | |
| 1956 | Storm Center | Judge Robert Ellerbe | |
| Television | |||
| Year | Title | Role | Notes |
| 1950 | The Ford Theatre Hour | 1 episode | |
| 1952 | Robert Montgomery Presents | 1 episode | |
| 1954–1955 | Fireside Theater | 2 episodes | |
| Schlitz Playhouse of Stars | 3 episodes | ||
| 1955 | Cavalcade of America | 1 episode | |
Read more about this topic: Paul Kelly (actor)
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“The best history is but like the art of Rembrandt; it casts a vivid light on certain selected causes, on those which were best and greatest; it leaves all the rest in shadow and unseen.”
—Walter Bagehot (1826–1877)