Paul Kane - Early Life and Formative Years

Early Life and Formative Years

Kane was born in Mallow, County Cork in Ireland, the fifth child of the eight children of Michael Kane and Frances Loach. His father, a soldier from Preston, Lancashire, England, served in the Royal Horse Artillery until his discharge in 1801. The family then settled in Ireland. Sometime between 1819 and 1822, they immigrated to Upper Canada and settled in York, which would later, in March 1834, become Toronto. There, Kane's father operated a shop as a spirits and wine merchant.

Not much is known about Kane's youth in York, which at that time was a small settlement of a few thousand people. He went to school at Upper Canada College, and then received some training in painting by an art teacher named Thomas Drury at the Upper Canada College around 1830. In July 1834, he displayed some of his paintings in the first (and only) exhibition of The Society of Artists and Amateurs in Toronto, gaining a favourable review by a local newspaper, The Patriot.

Kane began a career as a sign and furniture painter at York, moving to Cobourg, Ontario, in 1834. At Cobourg, he took up a job in the furniture factory of Freeman Schermerhorn Clench, but also painted several portraits of the local personalities, including the sheriff and his employer's wife. In 1836 Kane moved to Detroit, Michigan, where the American artist James Bowman was living. The two had met earlier at York. Bowman had persuaded Kane that studying art in Europe was a necessity for an aspiring painter, and they had planned to travel to Europe together. But Kane had to postpone the trip, as he was short of money to pay for the passage to Europe and Bowman had married shortly before and was not inclined to leave his family. For the next five years, Kane toured the American Midwest, working as an itinerant portrait painter, travelling to New Orleans.

In June 1841, Kane left America, sailing from New Orleans aboard a ship bound for Marseilles in France, arriving there about three months later. Unable to afford formal art studies at an art school or with an established master, he toured Europe for the next two years, visiting art museums wherever he could and studying and copying the works of old masters. Until autumn 1842 he stayed in Italy, before trekking across the Great St. Bernard Pass, moving to Paris and from there on to London. In London he met George Catlin, an American painter who had painted Native Americans on the prairies and who now was on a promotion tour for his book, Letters and Notes on the Manners, Customs and Conditions of the North American Indians. Catlin lectured at Egyptian Hall at Piccadilly, where he also exhibited some of his paintings. In his book Catlin argued that the culture of the Native Americans was disappearing and should be recorded before passing into oblivion. Kane found the argument compelling and decided to similarly document the Canadian Aboriginal peoples.

Kane returned in early 1843 to Mobile, Alabama, where he set up a studio and worked as a portrait painter until he had paid back the money borrowed for his voyage to Europe. He returned to Toronto late 1844 or early 1845 and immediately began preparing for a trip to the west