Performance Timeline
| Tournaments | 1995/ 96 |
1996/ 97 |
1997/ 98 |
1998/ 99 |
1999/ 00 |
2000/ 01 |
2001/ 02 |
2002/ 03 |
2003/ 04 |
2004/ 05 |
2005/ 06 |
|||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Rankings | UR | 78 | 43 | 24 | 12 | 14 | 9 | 9 | 8 | 4 | 5 | |||||
| Ranking tournaments | ||||||||||||||||
| British Open | LQ | LQ | 1R | 2R | 2R | SF | 2R | W | QF | 2R | NH | |||||
| Grand Prix | LQ | 1R | 4R | 2R | 5R | QF | 3R | QF | 3R | SF | 1R | |||||
| UK Championship | 2R | QF | 2R | SF | 4R | 6R | 3R | 3R | QF | 3R | 3R | |||||
| Irish Masters | NR | NR | NR | NR | NR | NR | NR | SF | 2R | 2R | NH | |||||
| Players Championship | LQ | LQ | 4R | QF | 3R | SF | 2R | 4R | F | NH | NH | |||||
| Malta Cup | LQ | LQ | NH | 2R | NH | NH | 1R | QF | 2R | 1R | 1R | |||||
| Welsh Open | SF | LQ | W | 2R | 3R | F | W | SF | QF | 2R | 2R | |||||
| China Open | NH | NH | 2R | 1R | 1R | QF | 2R | NH | NH | QF | 1R | |||||
| Thailand Masters | 1R | 1R | LQ | 1R | 1R | 1R | 2R | NH | NH | NH | NH | |||||
| World Snooker Championship | LQ | LQ | LQ | 1R | 1R | 2R | 1R | SF | 2R | 1R | 1R | |||||
| Non ranking tournaments | ||||||||||||||||
| The Masters | A | WR | A | A | 1R | W | W | SF | W | 1R | 1R | |||||
| Premier League | A | A | A | A | A | A | A | A | RR | RR | A | |||||
| Irish Masters | A | A | A | A | A | A | 1R | Ranking Event | NH | |||||||
| Scottish Masters | A | A | A | 1R | A | A | 1R | QF | NH | NH | NH | |||||
| Performance Table Legend | |||
|---|---|---|---|
| A | did not participate in the tournament | #R | lost in the early rounds of the tournament (RR = round robin, WR = Wild Card Round) |
| QF | advanced to but not past the quarterfinals | SF | advanced to but not past the semifinals |
| F | advanced to the final, tournament runner-up | W | won the tournament |
| NH | means an event was not held | NR | means an event was no longer a ranking event |
Read more about this topic: Paul Hunter
Famous quotes containing the word performance:
“The audience is the most revered member of the theater. Without an audience there is no theater. Every technique learned by the actor, every curtain, every flat on the stage, every careful analysis by the director, every coordinated scene, is for the enjoyment of the audience. They are our guests, our evaluators, and the last spoke in the wheel which can then begin to roll. They make the performance meaningful.”
—Viola Spolin (b. 1911)
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