Paul Gauguin - Gallery

Gallery

  • Portrait of Madame Gauguin, c. (1880–1881)

  • Garden in Vaugirard, or the Painter's Family in the Garden in Rue Carcel, (1881)

  • Still-Life with Fruit and Lemons, c. (1880)

  • The Swineherd, Brittany, (1888)

  • Les Alyscamps, (1888)

  • Vision After the Sermon (Jacob wrestling with the angel), (1888)

  • Night Café at Arles, (Mme Ginoux), (1888)

  • Still-Life with Japanese Woodcut, (1889)

  • Tahitian Women on the Beach, (1891)

  • Woman with a Flower, (1891)

  • The Moon and the Earth (Hina tefatou), (1893)

  • Annah, the Javanese, (1893)

  • Watermill in Pont-Aven, (1894)

  • The Midday Nap, (1894)

  • Maternity, (1899)

  • Two Tahitian Women, (1899)

  • Cruel Tales (Exotic Saying), (1902)

  • The Sorcerer of Hiva Oa , (1902)

  • Riders on the Beach, (1902)

  • Landscape on La Dominique (Hiva OAU), (1903)

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    “It doesn’t matter that your painting is small. Kopecks are also small, but when a lot are put together they make a ruble. Each painting displayed in a gallery and each good book that makes it into a library, no matter how small they may be, serves a great cause: accretion of the national wealth.”
    —Anton Pavlovich Chekhov (1860–1904)

    “To a person uninstructed in natural history, his country or sea-side stroll is a walk through a gallery filled with wonderful works of art, nine-tenths of which have their faces turned to the wall. Teach him something of natural history, and you place in his hands a catalogue of those which are worth turning round.”
    —Thomas Henry Huxley (1825–95)

    “I never can pass by the Metropolitan Museum of Art in New York without thinking of it not as a gallery of living portraits but as a cemetery of tax-deductible wealth.”
    —Lewis H. Lapham (b. 1935)