Professional Football
In February 1923, Goebel refused an offer to become the head football coach at Wichita State University (then known as Fairmount College), saying he planned to enter the engineering profession after graduation. Instead, Goebel opted to play professional football. He played professional football for the Columbus Tigers from 1923-1925, the Chicago Bears in 1925, and the New York Yankees (the football team) in 1926. In his first year in the NFL, Goebel played in all ten of the team's games for the Columbus Tigers and was named to the All-Pro Team. He threw one touchdown pass and caught another. He was credited with eight points scored including two extra points.
In 1924, Goebel was again selected as an All-Pro player with the Tigers, playing in ten games, making two touchdown receptions, and returning a fumble for a touchdown. In all, he was credited with three touchdowns and 18 points in 1924. While playing end for the Columbus Tigers in 1924, Goebel was involved in one of the oddest plays in NFL history. Goebel was the intended receiver of a forward pass, but the ball popped out of his arms and was snatched out of the air by Oscar Knop of the Chicago Bears. Knop began running for the goal line with the ball, but he was running the wrong way toward a safety. After running 30 yards, Knop was caught from behind and tackled by his teammate Ed Healey on the four-yard line.
In 1926, Goebel played for the Yankees alongside Red Grange. After the close of the 1926 football season, he went to Los Angeles where he took a minor role in Grange's latest film. In May 1927, Goebel announced his retirement from professional football. He said he would devote his time to the sporting goods store he operated in Grand Rapids. Goebel had been playing professional football every season since he finished at Michigan.
Read more about this topic: Paul G. Goebel
Famous quotes containing the words professional and/or football:
“In European thought in general, as contrasted with American, vigor, life and originality have a kind of easy, professional utterance. American—on the other hand, is expressed in an eager amateurish way. A European gives a sense of scope, of survey, of consideration. An American is strained, sensational. One is artistic gold; the other is bullion.”
—Wallace Stevens (1879–1955)
“In this dream that dogs me I am part
Of a silent crowd walking under a wall,
Leaving a football match, perhaps, or a pit,
All moving the same way.”
—Philip Larkin (1922–1986)