Paul Burlin - European Artistic Exile

European Artistic Exile

Paul and Natalie moved to Paris in 1921. Shortly after a successful presentation at a conference on ethnomusicology, Natalie was struck by a taxi on the street and killed. Paul was devastated. He remained in France. In 1924, he married his second wife, Margarete (Margot) Koop. Margarete was the mother of his only child, Barbara, who was born in 1927. Paul exhibited in New York, and in Paris. He studied European abstract painting styles, which influenced his increasingly socially concerned themes. Living in Europe for a decade may have contributed to Burlin's reception back home. It certainly gave him an opportunity to develop his style. His work was included in the New York Museum of Modern Art's Ninth Exhibition of Painting and Sculpture by Living Americans in 1930. Three of his paintings were shown: Flowers, 1927, Horses in Stable, ca. 1928, and Hills and Houses. Burlin was not able to attend, however, since he was still in Paris.

Read more about this topic:  Paul Burlin

Famous quotes containing the words european, artistic and/or exile:

    To the cry of “follow Mormons and prairie dogs and find good land,” Civil War veterans flocked into Nebraska, joining a vast stampede of unemployed workers, tenant farmers, and European immigrants.
    —For the State of Nebraska, U.S. public relief program (1935-1943)

    Few artists can afford artistic temperament.
    Mason Cooley (b. 1927)

    The exile is a singular, whereas refugees tend to be thought of in the mass. Armenian refugees, Jewish refugees, refugees from Franco Spain. But a political leader or artistic figure is an exile. Thomas Mann yesterday, Theodorakis today. Exile is the noble and dignified term, while a refugee is more hapless.... What is implied in these nuances of social standing is the respect we pay to choice. The exile appears to have made a decision, while the refugee is the very image of helplessness.
    Mary McCarthy (1912–1989)