Style
Nagel would start with a photograph and work down, always simplifying and removing elements which he felt were unnecessary. The resulting image would look flat, but emphasized those elements which he felt were most important.
According to Elena G. Millie, curator of the poster collection at the Library of Congress:
Like some of the old print masters (Toulouse-Lautrec and Bonnard, for example), Nagel was influenced by the Japanese woodblock print, with figures silhouetted against a neutral background, with strong areas of black and white, and with bold line and unusual angles of view. He handled colors with rare originality and freedom; he forced perspective from flat, two-dimensional images; and he kept simplifying, working to get more across with fewer elements. His simple and precise imagery is also reminiscent of the art-deco style of the 1920s and 1930s- its sharp linear treatment, geometric simplicity, and stylization of form yield images that are formal yet decorative.
Nagel's figures generally have black hair, bright white skin, full-lipped mouths, and the distinctive Nagel eyes, which are often squared off in the later works. Because of the intense stylization and reduction of facial features into clean lines, generally the figures resemble each other, though Nagel worked with many models, including Playboy Playmates Cathy St. George, Tracy Vaccaro and Shannon Tweed. Nagel also painted several celebrity portraits including those of Joan Collins (whose portrait was subsequently released as a limited edition print) and Joanna Cassidy.
Nagel's artwork strongly influenced the illustration and clip art of the late 1980s, and more tellingly, the "Photoshopped" simplified smooth skin beauty look of 21st century digital photography.
Read more about this topic: Patrick Nagel
Famous quotes containing the word style:
“To translate, one must have a style of his own, for otherwise the translation will have no rhythm or nuance, which come from the process of artistically thinking through and molding the sentences; they cannot be reconstituted by piecemeal imitation. The problem of translation is to retreat to a simpler tenor of one’s own style and creatively adjust this to one’s author.”
—Paul Goodman (1911–1972)
“Where there is no style, there is in effect no point of view. There is, essentially, no anger, no conviction, no self. Style is opinion, hung washing, the calibre of a bullet, teething beads.... One’s style holds one, thankfully, at bay from the enemies of it but not from the stupid crucifixions by those who must willfully misunderstand it.”
—Alexander Theroux (b. 1940)
“All my stories are webs of style and none seems at first blush to contain much kinetic matter.... For me “style” is matter.”
—Vladimir Nabokov (1899–1977)