Style
Although most of the work is a paraphrase of the biblical Book of Jonah, the poet has expanded upon the text in many places. The chief characteristics of his expansions are a colloquial tone, esp. in Jonah’s prayers and his conversations with God, and the concrete descriptions which are used throughout. The homilist is creative, which Jonah's monologues and descriptions of the storm and belly of the whale unveil the poet's improvisation and colorful retelling of story, such as the manner how Jonah floats into the whale's mouth "like a mote going through the church door" (268 ). This is meant as the antithesis of its example. Jonah is the impatient, which makes for a perfect "what not to do" example to include the poet's story. Furthermore, the author changes perspective "with an eye toward the psychological motives of God, as well as Jonah" (Szarmach,568). This humanizes God, which would not have been a known theological concept in the 14th century, distinguishing this poem from the others.
Read more about this topic: Patience (poem)
Famous quotes containing the word style:
“To write well, to have style ... is to paint. The master faculty of style is therefore the visual memory. If a writer does not see what he describes—countrysides and figures, movements and gestures—how could he have a style, that is originality?”
—Rémy De Gourmont (1858–1915)
“Always, however brutal an age may actually have been, its style transmits its music only.”
—André Malraux (1901–1976)
“The difference between style and taste is never easy to define, but style tends to be centered on the social, and taste upon the individual. Style then works along axes of similarity to identify group membership, to relate to the social order; taste works within style to differentiate and construct the individual. Style speaks about social factors such as class, age, and other more flexible, less definable social formations; taste talks of the individual inflection of the social.”
—John Fiske (b. 1939)