Antisemitism in Passion Plays
Many passion plays historically blamed the Jews for the death of Jesus in a polemical fashion, depicting a crowd of Jewish people condemning Jesus to crucifixion and a Jewish leader assuming eternal collective guilt for the crowd for the murder of Jesus, which, The Boston Globe explains, "for centuries prompted vicious attacks — or pogroms — on Europe's Jewish communities". Time magazine in its article, The Problem With Passion, explains that "such passages (are) highly subject to interpretation".
Although modern scholars interpret the "blood on our children" (Matthew 27:25) as "a specific group's oath of responsibility" some audiences have historically interpreted it as "an assumption of eternal, racial guilt". This last interpretation has often incited violence against Jews; according to the Anti-Defamation League, "Passion plays historically unleashed the torrents of hatred aimed at the Jews, who always were depicted as being in partnership with the devil and the reason for Jesus' death". The Christian Science Monitor, in its article, Capturing the Passion, explains that "historically, productions have reflected negative images of Jews and the long-time church teaching that the Jewish people were collectively responsible for Jesus' death. Violence against Jews as 'Christ-killers' often flared in their wake." Christianity Today in Why some Jews fear The Passion (of the Christ) observed that "Outbreaks of Christian antisemitism related to the Passion narrative have been...numerous and destructive."
The Religion Newswriters Association observed that
"in Easter 2001, three incidents made national headlines and renewed their fears. One was a column by Paul Weyrich, a conservative Christian leader and head of the Free Congress Foundation, who argued that "Christ was crucified by the Jews." Another was sparked by comments from the NBA point guard and born-again Christian Charlie Ward, who said in an interview that Jews were persecuting Christians and that Jews "had his blood on their hands." Finally, the evangelical Christian comic strip artist Johnny Hart published a B.C. strip that showed a menorah disintegrating until it became a cross, with each panel featuring the last words of Jesus, including "Father, forgive them, for they know not what they do".
On November 16, 1998, Church Council of Evangelical Lutheran Church in America similarly adopted a resolution prepared by its Consultative Panel on Lutheran-Jewish Relations urging any Lutheran church presenting a Passion Play to adhere to their Guidelines for Lutheran-Jewish Relations, stating that "the New Testament . . . must not be used as justification for hostility towards present-day Jews," and that "blame for the death of Jesus should not be attributed to Judaism or the Jewish people."
In 2003 and 2004 some people compared Mel Gibson's recent film The Passion of the Christ to these kinds of passion plays, but this characterization is hotly disputed; an analysis of that topic is in the article on The Passion of the Christ. Despite such fears, there have been no publicized antisemitic incidents directly attributable to the movie's influence.
Read more about this topic: Passion Play
Famous quotes containing the words antisemitism, passion and/or plays:
“Worst of all, there is no sign of any relaxation of antisemitism. Logically it has nothing to do with Fascism. But the human race is imitative rather than logical; and as Fascism spreads antisemitism spreads.”
—George Bernard Shaw (18561950)
“The passion to condense from book to book
Unbroken wisdom in a single look,
Though we know well that when this fix the head,
The minds immortal, but the man is dead.”
—Yvor Winters (19001968)
“The form of act or thought mattered nothing. The hymns of David, the plays of Shakespeare, the metaphysics of Descartes, the crimes of Borgia, the virtues of Antonine, the atheism of yesterday and the materialism of to-day, were all emanation of divine thought, doing their appointed work. It was the duty of the church to deal with them all, not as though they existed through a power hostile to the deity, but as instruments of the deity to work out his unrevealed ends.”
—Henry Brooks Adams (18381918)