Recent History
Today, the Parthenon which functions as an art museum, stands as the centerpiece of Centennial Park, a large public park just west of downtown Nashville. Alan LeQuire's 1990 re-creation of the Athena Parthenos statue is the focus of the Parthenon just as it was in ancient Greece. The building is a full-scale replica of the Athenian original; and the statue of Athena Parthenos within is a reconstruction of the long lost original to careful scholarly standards: she is cuirassed and helmeted, carries a shield on her left arm and a small (6 ft) statue of Nike (Victory) in her right palm, and stands 42 feet (13 m) high, gilt with more than eight pounds of gold leaf; an equally colossal serpent rears its head between her and her shield. Since the building is complete and its decorations were polychromed (painted in colors) as close to the presumed original as possible, this replica of the original Parthenon in Athens serves as a monument to what is considered the pinnacle of classical architecture. The plaster replicas of the Parthenon Marbles found in the Naos (the east room of the main hall) are direct casts of the original sculptures which adorned the pediments of the Athenian Parthenon, dating back to 438 BC. Many fragments of the originals are housed in the British Museum in London. Others are at the Acropolis Museum in Athens.
As an art museum, the Parthenon's permanent collection is a group of 63 paintings by 19th and 20th century American artists donated by James M. Cowan. Additional gallery spaces provide a venue for a variety of temporary shows and exhibits.
In the summertime, local theatre productions use the building as a backdrop for classic Greek plays such as Euripides' Medea and Sophocles' Antigone, performing (usually for free) on the steps of the Parthenon. Other performances, such as Mary Zimmerman's Metamorphoses, have been done inside, at the foot of Athena's statue.
The Parthenon got a full makeover in 2002 with a much needed cleaning and restoration to the exterior. The exterior lighting was upgraded by Faron Bean, a highly respected local lighting designer, to allow the columns of building to be illuminated with different colors than the facade, allowing a uniquely versatile display of effects for events.
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