Plot
When network engineer Simon J. (Jeremy Sisto) begins finding empty plain brown paper packages in his apartment, he goes to great length to try and secure his boundaries, but the packages keep appearing. Simon attempts to find out who is leaving the packages, and his investigation exposes him to his eccentric neighbors, an artificial intelligence robot head, created by Derrick (Udo Kier) who occupies an apartment across the hall from Simon, a virtual reality sex-game, created by the Neighbour (Bruce Payne) who occupies the apartment next to Simon's, and the possibility of a corporate conspiracy. At the same time Simon, who works in IT, is under pressure to complete a programming project and develops a romantic relationship with another of the apartment blocks residents, Trish (Deborah Kara Unger).
With security cameras watching him constantly, Simon begins to lose his grip on reality, and develops an inexplicable craving for Nature Fresh brand milk. Simon becomes increasingly puzzled as murders begin happening in the building. Simon eventually finds out that everyone else is receiving packages too but were keeping quiet. These people also got addicted to consuming other products like fresh juice, cola 500 and farm fresh meat. One of Simon's friends, a courier named Nile (Eugene Byrd), tells Simon about a corporate experiment to ‘infuse’ Nanomites into people's brains to make them addicted to certain products. He first dismisses it as a lie but eventually understands that it is indeed what is happening.
Read more about this topic: Paranoia 1.0
Famous quotes containing the word plot:
“There comes a time in every man’s education when he arrives at the conviction that envy is ignorance; that imitation is suicide; that he must take himself for better for worse as his portion; that though the wide universe is full of good, no kernel of nourishing corn can come to him but through his toil bestowed on that plot of ground which is given him to till.”
—Ralph Waldo Emerson (1803–1882)
“Morality for the novelist is expressed not so much in the choice of subject matter as in the plot of the narrative, which is perhaps why in our morally bewildered time novelists have often been timid about plot.”
—Jane Rule (b. 1931)
“We have defined a story as a narrative of events arranged in their time-sequence. A plot is also a narrative of events, the emphasis falling on causality. “The king died and then the queen died” is a story. “The king died, and then the queen died of grief” is a plot. The time sequence is preserved, but the sense of causality overshadows it.”
—E.M. (Edward Morgan)