Art and Popular Culture
This parable was one of the most popular in medieval art. The allegorical interpretation was often illustrated, with Christ as the Good Samaritan. Accompanying angels were sometimes also shown. In some Orthodox icons of the parable, the identification of the Good Samaritan as Christ is made explicit with a halo bearing a cross.
The numerous later artistic depictions of the parable include those of Rembrandt, Jan Wijnants, Vincent van Gogh, Aimé Morot, Domenico Fetti, Johann Carl Loth, George Frederic Watts, and Giacomo Conti. Sculptors such as Piet Esser and François-Léon Sicard have also produced works based on the parable.
The parable of the Good Samaritan is the theme for the Austrian Christian Charity commemorative coin, minted 12 March 2003. This coin shows the Good Samaritan with the wounded man, on his horse, as he takes him to an inn for medical attention. An older coin with this theme is the American "Good Samaritan Shilling" of 1652.
Australian poet Henry Lawson wrote a poem on the parable ("The Good Samaritan"), of which the third stanza reads:
"He's been a fool, perhaps, and would
Have prospered had he tried,
But he was one who never could
Pass by the other side.
An honest man whom men called soft,
While laughing in their sleeves —
No doubt in business ways he oft
Had fallen amongst thieves."
John Gardiner Calkins Brainard also a wrote poem on the theme.
Dramatic film adaptations of the Parable of the Good Samaritan include Samaritan, part of the widely acclaimed Modern Parables DVD Bible study series. Samaritan, which sets the parable in modern times, stars Antonio Albadran in the role of the Good Samaritan.
Read more about this topic: Parable Of The Good Samaritan
Famous quotes containing the words popular culture, art and, art, popular and/or culture:
“Like other secret lovers, many speak mockingly about popular culture to conceal their passion for it.”
—Mason Cooley (b. 1927)
“Art and ideology often interact on each other; but the plain fact is that both spring from a common source. Both draw on human experience to explain mankind to itself; both attempt, in very different ways, to assemble coherence from seemingly unrelated phenomena; both stand guard for us against chaos.”
—Kenneth Tynan (1927–1980)
“Neither a work of nature nor one of art we get to know when they have been finished; we must surprise them in the process of being created so as to understand them to some degree.”
—Johann Wolfgang Von Goethe (1749–1832)
“The poet will prevail to be popular in spite of his faults, and in spite of his beauties too. He will hit the nail on the head, and we shall not know the shape of his hammer. He makes us free of his hearth and heart, which is greater than to offer one the freedom of a city.”
—Henry David Thoreau (1817–1862)
“The hatred of the youth culture for adult society is not a disinterested judgment but a terror-ridden refusal to be hooked into the, if you will, ecological chain of breathing, growing, and dying. It is the demand, in other words, to remain children.”
—Midge Decter (b. 1927)