Paper Rad - Style

Style

Paper Rad calls its style "Dogman 99", a play on the Danish filmmaking movement Dogme 95. According to one of its project websites, the rules of Dogman 99 are: "No Wacom tablet, no scanning, pure RGB colors only, only fake tweening, and as many alpha tricks as possible."

Paper Rad's visual projects often employ bright fluorescent palettes juxtaposed with primary colors to create a distinctive "lo-fi" look. It adopts a variety of techniques and elements to achieve this look, including pop art, collage, punk art, as well as imagery from popular culture.

Its multimedia projects often incorporate MIDI audio, poor recordings of original sound effects and voices, pixelization, and other crude audio and visual components.

Paper Rad often recycles or appropriates obscure sounds and images from a variety of sources, including: old cartoons, commercials, and late-night television.

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Famous quotes containing the word style:

    The habit some writers indulge in of perpetual quotation is one it behoves lovers of good literature to protest against, for it is an insidious habit which in the end must cloud the stream of thought, or at least check spontaneity. If it be true that le style c’est l’homme, what is likely to happen if l’homme is for ever eking out his own personality with that of some other individual?
    Dame Ethel Smyth (1858–1944)

    Where there is no style, there is in effect no point of view. There is, essentially, no anger, no conviction, no self. Style is opinion, hung washing, the calibre of a bullet, teething beads.... One’s style holds one, thankfully, at bay from the enemies of it but not from the stupid crucifixions by those who must willfully misunderstand it.
    Alexander Theroux (b. 1940)

    I am so tired of taking to others
    translating my life for the deaf, the blind,
    the “I really want to know what your life is like without giving up any of my privileges
    to live it” white women
    the “I want to live my white life with Third World women’s style and keep my skin
    class privileges” dykes
    Lorraine Bethel, African American lesbian feminist poet. “What Chou Mean We, White Girl?” Lines 49-54 (1979)