Casting and Character Development
The character was originally created to be very similar to the British counterpart, Dawn Tinsley. Even minute details, such as how Pam wore her hair each day, were considered by executive producer, Greg Daniels.
"When I went in for The Office, the casting director said to me, 'Please look normal'," recalls Jenna Fischer. "Don't make yourself all pretty, and dare to bore me with your audition. Those were her words. Dare to bore me."
Heeding the advice, Fischer said little during the auditions, during which she was interviewed in character by show producers, in an improvisational format, to imitate the show's documentary premise. "My take on the character of Pam was that she didn't have any media training, so she didn't know how to be a good interview. And also, she didn't care about this interview," she told NPR. "So, I gave very short one-word answers and I tried very hard not to be funny or clever, because I thought that the comedy would come out of just, you know, the real human reactions to the situation...and they liked that take on it."
"When I went in to the audition, the first question that they asked me in the character of Pam — they said, 'Do you like working as a receptionist?' I said, 'No.' And that was it. I didn't speak any more than that. And they started laughing."
Fischer found herself creating a very elaborate backstory for the character. For the first few seasons, she kept a list of the character history revealed on-screen by the creators, as well as her own imaginative thoughts on Pam's history. She created a rule with the set's hair and make-up department that it couldn't look as though it took Pam more than 30 minutes to do her hair, and she formulated ideas as to who gave Pam each piece of jewelry she wore or where she went to college. Fischer also carefully crafted Pam's quiet persona. "Well, my character of Pam is really stuck," she explained to NPR. "I mean, she's a subordinate in this office. And so, I think that for her, the only way she can express herself is in the silences, but you can say so much by not saying anything."
Originally meek and passive, the character grew more assertive as the seasons passed, prompting Fischer to reassess her portrayal. "I have to approach Pam differently ," she explained in Season 4, a defining season in which her character finally begins a long awaited relationship with Jim and is accepted into the Pratt Institute. "She is in a loving relationship, she has found her voice, she has started taking art classes. All of these things must inform the character and we need to see changes in the way she moves, speaks, dresses, etc."
Read more about this topic: Pam Halpert
Famous quotes containing the words casting, character and/or development:
“For the gods, though slow to see, see well, whenever a man casting aside worship turns folly.”
—Sophocles (497–406/5 B.C.)
“An actor rides in a bus or railroad train; he sees a movement and applies it to a new role. A woman in agony of spirit might turn her head just so; a man in deep humiliation probably would wring his hands in such a way. From straws like these, drawn from completely different sources, the fabric of a character may be built. The whole garment in which the actor hides himself is made of small externals of observation fitted to his conception of a role.”
—Eleanor Robson Belmont (1878–1979)
“This was the Eastham famous of late years for its camp- meetings, held in a grove near by, to which thousands flock from all parts of the Bay. We conjectured that the reason for the perhaps unusual, if not unhealthful development of the religious sentiment here, was the fact that a large portion of the population are women whose husbands and sons are either abroad on the sea, or else drowned, and there is nobody but they and the ministers left behind.”
—Henry David Thoreau (1817–1862)