Embroidery and Weaving
An exclusively female artistic tradition, embroidery has been a key feature of traditional Palestinian costumes for hundreds of years. Two main types of embroidery are tatreez (cross-stitch embroidery) and tahriri (couching-stitch embroidery).
The production of cloth for traditional Palestinian costumes and for export throughout the Arab world was a key industry of the destroyed village of Majdal. Majdalawi weaving, as the technique is known, is woven by a male weaver on a single treadle loom, using black and indigo cotton threads combined with fuchsia and turquoise silk threads. While the village no longer exists today, the craft of Majdalawi weaving continues as part of a cultural preservation project run by the Atfaluna Crafts organization and the Arts and Crafts Village in Gaza City.
Gaza itself was a center for cloth production, famous for a fine silk produced there that was known as gazzatum. Imported to Europe as early as the 13th century, this fabric later gave its name to the loose weave fabric known today as gauze.
Bedouin weaving is traditionally carried out by women to create household items suited for the life in the desert. The thread is spun from sheep's wool, colored with natural dyes, and woven into a fabric using a ground loom and the strong fabric produced is used for tents, rugs, pillows, and other domestic items.
Read more about this topic: Palestinian Handicrafts
Famous quotes containing the words embroidery and/or weaving:
“It is, indeed, at home that every man must be known by those who would make a just estimate either of his virtue or felicity; for smiles and embroidery are alike occasional, and the mind is often dressed for show in painted honour, and fictitious benevolence.”
—Samuel Johnson (1709–1784)
“Anthropologists have found that around the world whatever is considered “men’s work” is almost universally given higher status than “women’s work.” If in one culture it is men who build houses and women who make baskets, then that culture will see house-building as more important. In another culture, perhaps right next door, the reverse may be true, and basket- weaving will have higher social status than house-building.”
—Mary Stewart Van Leeuwen. Excerpted from, Gender Grace: Love, Work, and Parenting in a Changing World (1990)