Plot
Once when Pac-Man was still young, he spent a summer at the home of the great Pac-Master for training to fight the ghosts in Pac-land. During Pac-Man's training, Pac-Master's family went to the power pellet Harvest Festival with Pac-Man. The Ghosts (possibly young too) decided to summon the legendary ghost, Golvis. He was said to be so strong that he was sent to space by the ghosts themselves. Castle Pac were celebrating the large crop of power pellets gathered, when the Harvest Festival was suddenly disturbed by a UFO from which Golvis comes. In an attempt to save the Pacs, Pac-Master chomped on a power pellet. But while the other ghosts turned blue, Golvis remained his normal colour with only the end of his tail blue. Golvis and his alive guitar sidekick (possibly named Jack) turned the pac-people into spheres (they are the same just without arms or legs), and kidnapps them all. With the help of Pac-Land's guardian fairy, Crystal, Pac-Man managed to escape before getting kidnapped. This explains why Golvis' guitar is always out of tune, because he was using it to smash Pac-Man into the ground.
Now with the help of Crystal, Pac-Man (who has been put on Golvis' sphere curse) must save Pac-Master's family from the evil Golvis and Ghosts, with their evil plot to turn Pac-Land into Ghost-Land.
Read more about this topic: Pac 'n Roll
Famous quotes containing the word plot:
“Trade and the streets ensnare us,
Our bodies are weak and worn;
We plot and corrupt each other,
And we despoil the unborn.”
—Ralph Waldo Emerson (1803–1882)
“Morality for the novelist is expressed not so much in the choice of subject matter as in the plot of the narrative, which is perhaps why in our morally bewildered time novelists have often been timid about plot.”
—Jane Rule (b. 1931)
“James’s great gift, of course, was his ability to tell a plot in shimmering detail with such delicacy of treatment and such fine aloofness—that is, reluctance to engage in any direct grappling with what, in the play or story, had actually “taken place”Mthat his listeners often did not, in the end, know what had, to put it in another way, “gone on.””
—James Thurber (1894–1961)