Styles of Theatre
There are a variety of theatrical styles used in theatre and drama. These include
- Absurdism – presents a perspective that all human attempts at significance are illogical. Ultimate truth is chaos with little certainty. There is no necessity that need drive us.
- Expressionism – anti-realistic in seeing appearance as distorted and the truth lying within man. The outward appearance on stage can be distorted and unrealistic to portray an eternal truth.
- Melodrama – sentimental drama with musical underscoring, often with an unlikely plot that concerns the suffering of the good at the hands of evildoers but ends happily with good triumphant. Featuring stock characters such as the noble hero, the long-suffering damsel in distress, and the cold-blooded villain.
- Modernism – a broad concept that sees art, including theatre, as detached from life in a pure way and able to reflect on life critically.
- Naturalism – portraying life on stage with close attention to detail, based on observation of real life.
- Postmodern theatre – originated in Europe in the middle of the twentieth century out of the postmodern philosophy as a reaction against modernist theatre. Postmodern theatre raises questions rather than attempting to supply answers or definitive truth.
- Puppetry– an ancient form where performers/puppeteers manipulate performing objects. Puppetry has many variations and forms.
- Realism – portraying characters on stage that are close to real life, with realistic settings and staging.
Read more about this topic: Outline Of Theatre
Famous quotes containing the words styles of, styles and/or theatre:
“There are only two styles of portrait painting; the serious and the smirk.”
—Charles Dickens (1812–1870)
“The gothic is singular in this; one seems easily at home in the renaissance; one is not too strange in the Byzantine; as for the Roman, it is ourselves; and we could walk blindfolded through every chink and cranny of the Greek mind; all these styles seem modern when we come close to them; but the gothic gets away.”
—Henry Brooks Adams (1838–1918)
“I can get dressed earlier in the evening with every intention of going to a dance at midnight, but somehow after the theatre the thing to do seems to be either to go to bed or sit around somewhere. It doesn’t seem possible that somewhere people can be expecting you at an hour like that.”
—Robert Benchley (1889–1945)