Works
- Kemelut - live electronic music (1979)
- Meta Ekologi - mix live and pre recorded electronic music (1980)
- Ngendau - soundscape (1982)
- Hutan Plastik - soundscape (1982)
- East Wind - mix soundscape & live performer (1983)
- Untitled - a piece for clarinet, cello, percussion and tape (1985)
- Gong - electronic music (1985)
- Gaung - electronic music (1986)
- Stringquartet - String quartet (1986)
- Saluang - electronic music (1986)
- Quintet for Oboe, clarinet, violin, viola and cello (1986)
- Trio for clarinet, cello and piano (1987)
- Waves - computer controlled electronic music (1988)
- Marimba - for marimba solo (1988)
- Pulses - computer music (1988)1
- Technophobia - live computer music with voice and dance (1990)
- 3 in 1 - music for percussion, clarinet and computer (1991)
- Rim's - computer music (1991)
- RamayanaKu - for voice and computer (1992)
- Matra - for percusion and computer (1992)
- Topeng Monyet - computer music (1993)
- Mitsuno Hibiki - for violin and computer (1993)
- Goro-goro - for 8 percussion player (1994)
- Soundscape I - soundscape (1995)
- Music for Clarinet and Computer (1995)
- Music for Flute and Computer (1996)
- Music for Biwa and Computer (1996)
- Music for Piano and Computer (1997)
and a few untitled short works for non musical instruments and computer, gamelan instruments and computer (1998–2001).
Read more about this topic: Otto Sidharta
Famous quotes containing the word works:
“Audible prayer can never do the works of spiritual understanding, which regenerates; but silent prayer, watchfulness, and devout obedience enable us to follow Jesus’ example. Long prayers, superstition, and creeds clip the strong pinions of love, and clothe religion in human forms. Whatever materializes worship hinders man’s spiritual growth and keeps him from demonstrating his power over error.”
—Mary Baker Eddy (1821–1910)
“On pragmatistic principles, if the hypothesis of God works satisfactorily in the widest sense of the word, it is true.”
—William James (1842–1910)
“The slightest living thing answers a deeper need than all the works of man because it is transitory. It has an evanescence of life, or growth, or change: it passes, as we do, from one stage to the another, from darkness to darkness, into a distance where we, too, vanish out of sight. A work of art is static; and its value and its weakness lie in being so: but the tuft of grass and the clouds above it belong to our own travelling brotherhood.”
—Freya Stark (b. 1893–1993)