Early Work
His automobile body design sent in to Kathe & Soehne for a Mercedes chassis won a gold medal in 1913. Employed as a stylist with N.A.G. Berlin he designed movie sets for William Wauer's silent film "The Tunnel". He became associate editor of "Der Motor" magazine, and then styled car bodies for Snutsel Père&Fils (Brussels) and European automobile producers. Influenced by the art of Pennell he learned etching after WWI and enrolled at the Academy of Art in Düsseldorf. After emigration to the US in 1923 he worked as a commercial artist in Pittsburgh, Pennsylvania. His works centered on industrial landscapes, steel works and locomotives.
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