Origin of The Series
Preceding the first theatrical film of Otoko wa tsurai yo, a teledrama version was broadcast from 1968 to 1969. It was originally titled "Gukei (or "Gukyō")-Kenmai" (愚兄賢妹), meaning "Goofy Brother and Wise Sister." The name comes from the final subtitle of Naite tamaruka (泣いてたまるか). (The star of Naite tamaruka is also Atsumi Kiyoshi.)
Kobayashi Shun'ichi renamed the show Otoko wa Tsurai yo. In the final episode of the TV series, Torajirō dies of a snakebite. This denouement made the audience angry and a film version of Otoko wa Tsurai yo followed.
Initially, Shochiku, the distributing agency, was not enthusiastic about the film's prospects but Yōji Yamada's persuasiveness ultimately prevailed. The film series went on to become a huge success with films released every summer and New Years. The series has occupying a large position within the realm of Japanese pop culture psyche. With the exception of Morikawa Shin, the supporting cast of the television version did not reprise their roles in the film series - though Sato Gajiro appears in most of the films as "Gen-chan", Nagayama Aiko is the Madonna in the 6th film and Hisashi Igawa is her suitor.
Read more about this topic: Otoko Wa Tsurai Yo
Famous quotes containing the words origin of the, origin of, origin and/or series:
“In the woods in a winter afternoon one will see as readily the origin of the stained glass window, with which Gothic cathedrals are adorned, in the colors of the western sky seen through the bare and crossing branches of the forest.”
—Ralph Waldo Emerson (18031882)
“The essence of morality is a questioning about morality; and the decisive move of human life is to use ceaselessly all light to look for the origin of the opposition between good and evil.”
—Georges Bataille (18971962)
“Though I do not believe that a plant will spring up where no seed has been, I have great faith in a seed,a, to me, equally mysterious origin for it.”
—Henry David Thoreau (18171862)
“History is nothing but a procession of false Absolutes, a series of temples raised to pretexts, a degradation of the mind before the Improbable.”
—E.M. Cioran (b. 1911)