Oslo Opera House - The Building

The Building

The roof of the building angles to ground level creating a large plaza inviting pedestrians to walk up and enjoy the panoramic views of Oslo. The angles and paving materials are also skateboard-friendly allowing skateboarders to use some areas. Skateboarders are discouraged from areas closer to performance spaces by the use of steps and paving not conducive to skateboarding. While much of the building is covered in white granite and La Facciata, a white Italian carrara marble, the stage tower is clad in white aluminum in a design by Løvaas & Wagle evoking old weaving patterns.

The lobby is surrounded by 15 m (49 ft) tall windows with minimal framing and special glass that allows maximum views of the water. The roof is supported by thin angled columns also designed not to interfere with views.

Interior surfaces are covered in oak to bring warmth to spaces in contrast to the coolness of the white exterior. The main auditorium is a horseshoe shape and illuminated by an oval chandelier containing 5,800 handmade crystals. Seats include monitors for the electronic libretto system, allowing audiences to follow opera libretti in Norwegian and English in addition to the original language.

Read more about this topic:  Oslo Opera House

Famous quotes containing the word building:

    A publisher is a specialised form of bank or building society, catering for customers who cannot cope with life and are therefore forced to write about it.
    Colin Haycraft (b. 1929)

    The real dividing line between early childhood and middle childhood is not between the fifth year and the sixth year—it is more nearly when children are about seven or eight, moving on toward nine. Building the barrier at six has no psychological basis. It has come about only from the historic-economic-political fact that the age of six is when we provide schools for all.
    James L. Hymes, Jr. (20th century)