Production
The film is directed as if it were a film of that time, with humor and dialogue delivered in a manner reminiscent of old Hollywood comedies, particularly the "screwball" genre. Director John Landis had said
| “ | Oscar is a farce set in 1931, sort of Damon Runyan meets Feydeau. I shot the picture in a deliberately stylized manner, attempting a thirties Hollywood comedy look and feel (Peter Riegart, at one point, actually says, Why I oughta...) | ” |
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Famous quotes containing the word production:
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)
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“Constant revolutionizing of production ... distinguish the bourgeois epoch from all earlier ones. All fixed, fast-frozen relations, with their train of ancient and venerable prejudices are swept away, all new-formed ones become antiquated before they can ossify. All that is solid melts into air, all that is holy is profaned, and man is at last compelled to face with sober senses, his real conditions of life, and his relations with his kind.”
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