Natasha's Dance and Russian Cultural History
Published in 2002, Natasha's Dance is a broad cultural history of Russia from the building of St.Petersburg during the reign of Peter the Great in the early eighteenth century. Taking its title from a scene in Tolstoy's War and Peace, where the young countess Natasha Rostova intuitively dances a peasant dance, it explores the tensions between the European and folk elements of Russian culture, and examines how the myth of the 'Russian soul' and the idea of 'Russianness' itself have been expressed by Russian writers, artists, composers and philosophers.
The film director Joe Wright revealed that Natasha's Dance was the inspiration for his 2012 film "Anna Karenina" starring Keira Knightley and Jude Law with a screenplay by Tom Stoppard. Figes is credited as the historical consultant on the film
Figes has also written essays on various Russian cultural figures, including Leo Tolstoy, Dmitri Shostakovich, Sergei Prokofiev . In 2003 he wrote and presented a TV feature documentary for the BBC, The Tsar's Last Picture Show, about the pioneering colour photographer in Tsarist Russia Sergei Prokudin-Gorsky.
Read more about this topic: Orlando Figes
Famous quotes containing the words dance, russian, cultural and/or history:
“The dance can reveal everything mysterious that is hidden in music, and it has the additional merit of being human and palpable. Dancing is poetry with arms and legs.”
—Charles Baudelaire (18211867)
“Who are we? And for what are we going to fight? Are we the titled slaves of George the Third? The military conscripts of Napoleon the Great? Or the frozen peasants of the Russian Czar? Nowe are the free born sons of America; the citizens of the only republic now existing in the world; and the only people on earth who possess rights, liberties, and property which they dare call their own.”
—Andrew Jackson (17671845)
“Theyre semiotic phantoms, bits of deep cultural imagery that have split off and taken on a life of their own, like those Jules Verne airships that those old Kansas farmers were always seeing.... Semiotic ghosts. Fragments of the Mass Dream, whirling past in the wind of my passage.”
—William Gibson (b. 1948)
“One classic American landscape haunts all of American literature. It is a picture of Eden, perceived at the instant of history when corruption has just begun to set in. The serpent has shown his scaly head in the undergrowth. The apple gleams on the tree. The old drama of the Fall is ready to start all over again.”
—Jonathan Raban (b. 1942)