Origins And Architecture Of The Taj Mahal
The Taj Mahal represents the finest and most sophisticated example of Mughal architecture. Its origins lie in the moving circumstances of its commission and the culture and history of an Islamic Mughal empire's rule of large parts of India. The distraught Mughal Emperor Shah Jahan commissioned the mausoleum upon the death of his favorite wife Mumtaz Mahal.
Today it is one of the most famous and recognisable buildings in the world and while the white domed marble mausoleum is the most familiar part of the monument, the Taj Mahal is an extensive complex of buildings and gardens that extends over 22.44 hectares (55.5 acres) and includes subsidiary tombs, waterworks infrastructure, the small town of 'Taj Ganji' to the south and a 'moonlight garden' to the north of the river. Construction began in 1632 AD, (1041 AH), on the south bank of the River Yamuna in Agra, and was substantially complete by 1648 AD (1058 AH). The design was conceived as both an earthly replica of the house of Mumtaz in paradise and an instrument of propaganda for the emperor.
Read more about Origins And Architecture Of The Taj Mahal: Mumtaz and Jahan, Concepts, Symbolism and Interpretations, Construction and Interment, Architects and Craftsmen, Dimensional Organisation, References
Famous quotes containing the words origins and, origins and/or architecture:
“Lucretius
Sings his great theory of natural origins and of wise conduct; Plato
smiling carves dreams, bright cells
Of incorruptible wax to hive the Greek honey.”
—Robinson Jeffers (1887–1962)
“The origins of clothing are not practical. They are mystical and erotic. The primitive man in the wolf-pelt was not keeping dry; he was saying: “Look what I killed. Aren’t I the best?””
—Katharine Hamnett (b. 1948)
“The two elements the traveler first captures in the big city are extrahuman architecture and furious rhythm. Geometry and anguish. At first glance, the rhythm may be confused with gaiety, but when you look more closely at the mechanism of social life and the painful slavery of both men and machines, you see that it is nothing but a kind of typical, empty anguish that makes even crime and gangs forgivable means of escape.”
—Federico García Lorca (1898–1936)