History
Beginning in 1903, odd artifacts were displayed in hallways and alcoves in Portland City Hall arranged by Colonel L. L. Hawkins. When the collection was evicted in 1936, about 12,000 artifacts were stored throughout the city.
On November 5, 1944, the Oregon Museum Foundation was founded with the mission of establishing an Oregon Museum of History, Science, and Industry. It displayed its first collection of natural history objects at the Portland Hotel. Subsequent small exhibits occurred around town to generate interest and donations. In 1949, a house at 908 NE Hassalo was donated to establish the museum. Within a year, the Pacific Northwest's first public planetarium opened in a dome on the front lawn.
By 1955, OMSI's annual attendance had grown to 25,000. The need for expansion led to volunteers building a new site at Washington Park, completing the original goal of a hands-on museum. (That building is now occupied by the Portland Children's Museum.) This opened to the public on August 3, 1958, following a formal dedication by the governor on June 7. A planetarium was again included. The new building at the southwest corner of what was then Hoyt Park (now part of Washington Park) was located adjacent to the then-new site of the Portland Zoo (now the Oregon Zoo), which began a one-year phased move in the same month as the new OMSI opened. The two attractions remained neighbors, sharing a parking lot, until 1992.
Read more about this topic: Oregon Museum Of Science And Industry
Famous quotes containing the word history:
“To a surprising extent the war-lords in shining armour, the apostles of the martial virtues, tend not to die fighting when the time comes. History is full of ignominious getaways by the great and famous.”
—George Orwell (1903–1950)
“... in a history of spiritual rupture, a social compact built on fantasy and collective secrets, poetry becomes more necessary than ever: it keeps the underground aquifers flowing; it is the liquid voice that can wear through stone.”
—Adrienne Rich (b. 1929)
“Postmodernism is, almost by definition, a transitional cusp of social, cultural, economic and ideological history when modernism’s high-minded principles and preoccupations have ceased to function, but before they have been replaced with a totally new system of values. It represents a moment of suspension before the batteries are recharged for the new millennium, an acknowledgment that preceding the future is a strange and hybrid interregnum that might be called the last gasp of the past.”
—Gilbert Adair, British author, critic. Sunday Times: Books (London, April 21, 1991)