Story
The story of O·R·B begins with two ancient races, the Aldar and a race created by the Aldar, the Elathen, engaged in a battle for survival. The Aldar lose this conflict and their civilization is completely wiped out. However, the Aldar leave behind two younger races, the Malus and the Alyssians, each guided by a document called the Torumin. This document takes on religious importance to both races, but the true purpose of it is lost to both.
The campaign story begins chronologically with the Malus, who begin a campaign to exterminate the Alyssians, whom they believe to be the "Great Betrayers" their holy documents speak of. The Alyssians use the same symbol as the Elathen to represent themselves, hence the confusion. The Malus drive the Alyssians from their homeworld, realizing after the fact that a Torumin identical to the one that guides them is also in the hands of the Alyssians.
The Alyssian campaign sees the homeless Alyssians finding a new settlement, only to be harassed by the Kyulek, servants of the Elathen. Aided by the Seekers of Ftorrek, an outcast Malus clan, the Alyssians rediscover the technology of their ancestors in order to stop the returning threat of the Elathen.
Read more about this topic: O.R.B: Off-World Resource Base
Famous quotes containing the word story:
“Grief that is dazed and speechless is out of fashion: the modern woman mourns her husband loudly and tells you the whole story of his death, which distresses her so much that she forgets not the slightest detail about it.”
—Jean De La Bruyère (1645–1696)
“Its idea of “production value” is spending a million dollars dressing up a story that any good writer would throw away. Its vision of the rewarding movie is a vehicle for some glamour-puss with two expressions and eighteen changes of costume, or for some male idol of the muddled millions with a permanent hangover, six worn-out acting tricks, the build of a lifeguard, and the mentality of a chicken-strangler.”
—Raymond Chandler (1888–1959)
“A story has been thought through to the end when it has taken the worst possible turn.”
—Friedrich Dürrenmatt (1921–1990)