Oral History - Legal Interpretation and Relationship To Historical Truth

Legal Interpretation and Relationship To Historical Truth

In 1997 the Supreme Court of Canada, in the Delgamuukw v. British Columbia trial, ruled that oral histories were just as important as written testimony. Of oral histories, it said "that they are tangential to the ultimate purpose of the fact-finding process at trial – the determination of the historical truth."

Writers who use oral history have often discussed its relationship to historical truth. Gilda O'Neill writes in Lost Voices, an oral history of East End hop-pickers: "I began to worry. Were the women's, and my, memories true or were they just stories? I realised that I had no 'innocent' sources of evidence - facts. I had, instead, the stories and their tellers' reasons for remembering in their own particular ways.' Duncan Barrett, one of the co-authors of The Sugar Girls describes some of the perils of relying on oral history accounts: "On two occasions, it became clear that a subject was trying to mislead us about what happened – telling a self-deprecating story in one interview, and then presenting a different, and more flattering, version of events when we tried to follow it up. often our interviewees were keen to persuade us of a certain interpretation of the past, supporting broad, sweeping comments about historical change with specific stories from their lives." Alessandro Portelli argues that oral history is valuable nevertheless: "it tells us less about events as such than about their meaning the unique and precious element which oral sources force upon the historian is the speaker's subjectivity."

Read more about this topic:  Oral History

Famous quotes containing the words legal, relationship, historical and/or truth:

    “The disfranchisement of a single legal elector by fraud or intimidation is a crime too grave to be regarded lightly.”
    —Benjamin Harrison (1833–1901)

    “Living in cities is an art, and we need the vocabulary of art, of style, to describe the peculiar relationship between man and material that exists in the continual creative play of urban living. The city as we imagine it, then, soft city of illusion, myth, aspiration, and nightmare, is as real, maybe more real, than the hard city one can locate on maps in statistics, in monographs on urban sociology and demography and architecture.”
    —Jonathan Raban (b. 1942)

    “The proverbial notion of historical distance consists in our having lost ninety-five of every hundred original facts, so the remaining ones can be arranged however one likes.”
    —Robert Musil (1880–1942)

    “When truth is nothing but the truth, it’s unnatural, it’s an abstraction that resembles nothing in the real world. In nature there are always so many other irrelevant things mixed up with the essential truth. That’s why art moves you—precisely because it’s unadulterated with all the irrelevancies of real life.”
    —Aldous Huxley (1894–1963)