The Game
The back story of the game is as follows: A team of astronauts and scientists have begun a secret research project on a distant planet. The research team's results were sent back to Earth on the "Galaxy space capsule", which malfunctioned, crashed into the ocean, and broke into many pieces. The capsule included several data canisters, each of which contains small snippets of the scientists' story, which is revealed to the player as the game progresses and data canisters are found. The capsule also contained some toxic chemicals, which have begun to leak out and threaten the health of the world's sea life. A recovery mission, codenamed Operation Neptune, is sent to recover the pieces of the capsule.
The game is divided into five zones: Dragon Reef, Fossil Trench, Limestone Ridge, Sea Forest, and Hammerhead. Each zone contains three "levels", called sectors (although the hammerhead zone also has a "final" sector, where there are no maths problems, but one hit from a sea creature will send the player back to the start). At the end of each sector, the submarine approaches an undersea supply station. There are two completely unique sets of levels, Voyager and Expert, each with a different story that is recovered along the way.
The player pilots the submarine, named the Neptune. Throughout the game, elementary school-level mathematics problems are posed, in the form of scientific situations that might concern a submarine pilot in real life. (For example, the sub's ballast may need adjusting, and this becomes an arithmetic problem.) In each sector the player will face three randomly placed math problems, as well as one problem to open that sector's data canister, and another to open the combination lock on the supply station.
Read more about this topic: Operation Neptune (video Game)
Famous quotes containing the word game:
“My first big mistake was made when, in a moment of weakness, I consented to learn the game; for a man who can frankly say “I do not play bridge” is allowed to go over in the corner and run the pianola by himself, while the poor neophyte, no matter how much he may protest that he isn’t “at all a good player, in fact I’m perfectly rotten,” is never believed, but dragged into a game where it is discovered, too late, that he spoke the truth.”
—Robert Benchley (1889–1945)
“The notion that the public accepts or rejects anything in modern art ... is merely romantic fiction.... The game is completed and the trophies distributed long before the public knows what has happened.”
—Tom Wolfe (b. 1931)