Style
The characters are actually hand "puppets" wearing only eyes and sometimes hair.
The thumbs of the "puppets" are used to represent mouth movement, and the fingers flutter, clench, and make other movements to indicate emotions (when the thumb scratches the side of the hand, that symbolizes that the character is thinking or feeling confused.) The hands also serve usual purposes, such as holding objects and turning doorknobs. A majority of the characters are right-handed, but three (Mrs. Johnson, Mimi and Paula) are left-handed.
The speech of the characters consists of simple vocabulary and simple sentences. For example, "Uma, school, first day" is said in place of "It's Uma's first day of school" or "It's my first day of school."
Read more about this topic: Oobi (TV series)
Famous quotes containing the word style:
“On the first days, like a piece of music that one will later be mad about, but that one does not yet distinguish, that which I was to love so much in [Bergotte’s] style was not yet clear to me. I could not put down the novel that I was reading, but I thought that I was only interested in the subject, as in the first moments of love when one goes every day to see a woman at some gathering, or some pastime, by the amusements to which one believes to be attracted.”
—Marcel Proust (1871–1922)
“American universities are organized on the principle of the nuclear rather than the extended family. Graduate students are grimly trained to be technicians rather than connoisseurs. The old German style of universal scholarship has gone.”
—Camille Paglia (b. 1947)
“Compare the history of the novel to that of rock ‘n’ roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.”
—W. T. Lhamon, U.S. educator, critic. “Material Differences,” Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)