Music
The One Foot in the Grave theme song was written, composed and sung by Eric Idle. A longer version was produced for the special "One Foot in the Algarve", released as a single with five remixes and a karaoke version in November 1994. Idle included a live version of the song on his album Eric Idle Sings Monty Python. It is preluded by a similar adaptation of "Bread of Heaven" to that used in the episode "The Beast in the Cage" by disgruntled car mechanics. The music on the TV series is accompanied at the beginning and end of each episode by a Tortoise. The series also made extensive use of incidental music, composed by Ed Welch, which often hinted at a particular genre to fit the mood of the scenes, frequently incorporating well-known pieces of music such as "God rest you merry, gentlemen" or Intermezzo from Jean Sibelius' Karelia Suite. In the Christmas special "Endgame" during Margaret's alleged death scene, a compilation of clips from past episodes are accompanied by the song "River Runs Deep" performed by J. J. Cale. The final episode ended with a montage of some of the mishaps Victor encountered, which were mentioned in the episode – backed by "End of the Line" by The Traveling Wilburys.
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Famous quotes containing the word music:
“His style is eminently colloquial, and no wonder it is strange to meet with in a book. It is not literary or classical; it has not the music of poetry, nor the pomp of philosophy, but the rhythms and cadences of conversation endlessly repeated.”
—Henry David Thoreau (1817–1862)
“In benevolent natures the impulse to pity is so sudden, that like instruments of music which obey the touch ... you would think the will was scarce concerned, and that the mind was altogether passive in the sympathy which her own goodness has excited. The truth is,—the soul is [so] ... wholly engrossed by the object of pity, that she does not ... take leisure to examine the principles upon which she acts.”
—Laurence Sterne (1713–1768)
“If mass communications blend together harmoniously, and often unnoticeably, art, politics, religion, and philosophy with commercials, they bring these realms of culture to their common denominator—the commodity form. The music of the soul is also the music of salesmanship. Exchange value, not truth value, counts.”
—Herbert Marcuse (1898–1979)