Music
The One Foot in the Grave theme song was written, composed and sung by Eric Idle. A longer version was produced for the special "One Foot in the Algarve", released as a single with five remixes and a karaoke version in November 1994. Idle included a live version of the song on his album Eric Idle Sings Monty Python. It is preluded by a similar adaptation of "Bread of Heaven" to that used in the episode "The Beast in the Cage" by disgruntled car mechanics. The music on the TV series is accompanied at the beginning and end of each episode by a Tortoise. The series also made extensive use of incidental music, composed by Ed Welch, which often hinted at a particular genre to fit the mood of the scenes, frequently incorporating well-known pieces of music such as "God rest you merry, gentlemen" or Intermezzo from Jean Sibelius' Karelia Suite. In the Christmas special "Endgame" during Margaret's alleged death scene, a compilation of clips from past episodes are accompanied by the song "River Runs Deep" performed by J. J. Cale. The final episode ended with a montage of some of the mishaps Victor encountered, which were mentioned in the episode – backed by "End of the Line" by The Traveling Wilburys.
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Famous quotes containing the word music:
“Have you ever been up in your plane at night, alone, somewhere, 20,000 feet above the ocean?... Did you ever hear music up there?... It’s the music a man’s spirit sings to his heart, when the earth’s far away and there isn’t any more fear. It’s the high, fine, beautiful sound of an earth-bound creature who grew wings and flew up high and looked straight into the face of the future. And caught, just for an instant, the unbelievable vision of a free man in a free world.”
—Dalton Trumbo (1905–1976)
“Music is either sacred or secular. The sacred agrees with its dignity, and here has its greatest effect on life, an effect that remains the same through all ages and epochs. Secular music should be cheerful throughout.”
—Johann Wolfgang Von Goethe (1749–1832)
“Westminster Abbey is nature crystallized into a conventional form by man, with his sorrows, his joys, his failures, and his seeking for the Great Spirit. It is a frozen requiem, with a nation’s prayer ever in dumb music ascending.”
—M. E. W. Sherwood (1826–1903)