Plot
The film combines clips from Tarkovsky's films with footage of Tarkovsky on the set of his last film The Sacrifice and on his deathbed, during the final stage of his battle with cancer. The film mostly relies on images, with only sparse commentary, and concentrates mainly on giving insight into Tarkovsky's work and philosophy and on exploring the intersections between his private life and his work. The film starts with a scene from Tarkovsky first film Ivan's Childhood and ends with a parallel scene from his last film The Sacrifice. It shows the reunion of Tarkovsky with his son Andrei Jr., who had been allowed to leave the Soviet Union only after Tarkovsky was diagnosed with terminal lung cancer. Apart from Andrei Tarkovsky himself the film shows, among others, his second wife Larisa Tarkovskaya, his son Andrei Jr., the editor of the film The Sacrifice Michal Leszczylowski, the French actress Valérie Mairesse, the Swedish cinematographer Sven Nykvist and the Russian actress Margarita Terekhova.
Read more about this topic: One Day In The Life Of Andrei Arsenevich
Famous quotes containing the word plot:
“After I discovered the real life of mothers bore little resemblance to the plot outlined in most of the books and articles I’d read, I started relying on the expert advice of other mothers—especially those with sons a few years older than mine. This great body of knowledge is essentially an oral history, because anyone engaged in motherhood on a daily basis has no time to write an advice book about it.”
—Mary Kay Blakely (20th century)
“If you need a certain vitality you can only supply it yourself, or there comes a point, anyway, when no one’s actions but your own seem dramatically convincing and justifiable in the plot that the number of your days concocts.”
—John Ashbery (b. 1927)
“But, when to Sin our byast Nature leans,
The careful Devil is still at hand with means;
And providently Pimps for ill desires:
The Good Old Cause, reviv’d, a Plot requires,
Plots, true or false, are necessary things,
To raise up Common-wealths and ruine Kings.”
—John Dryden (1631–1700)