Career
In 1994, Martinez won a César Award as "Most Promising Actor" for his role in Un, deux, trois, soleil (1993). This was followed by a leading role in Jean-Paul Rappeneau period film The Horseman on the Roof (Le Hussard sur le Toit) in 1995 in which he starred alongside Juliette Binoche as an Italian nobleman. The film was hailed as the most expensive French film at that time in history but failed to reach its $35 million budget. In 1996/7 he appeared in Bertrand Blier's romantic comedy My Man (Mon Homme) alongside Anouk Grinberg, Gérard Lanvin, and Valeria Bruni Tedeschi. Later in 1997 he played a leading role in Bigas Luna's drama The Chambermaid on the Titanic (La Femme de chambre du Titanic) alongside Romane Bohringer, set during the time of the Titanic's sinking voyage in 1912. Martinez portrays a French foundry worker who wins a strongman contest and the its prize of a trip to Southampton to see the launch of the Titanic. The film was well-received; Mick LaSelle of the San Francisco Chronicle praised what he felt was a rare honest portrayal of male sexuality by Martinez.
Martinez first came to mainstream attention in Hollywood films with his performance in Julian Schnabel's Before Night Falls (2000) opposite Javier Bardem and Johnny Depp. The screenplay is based on the autobiography of the same name of Reinaldo Arenas, which was published in English in 1993. The film was highly critically acclaimed, although Martinez's performance was overshadowed by that of Bardem in the eyes of critics. He was later noted for his performance opposite Diane Lane in Unfaithful (2002). He has since appeared in a television adaptation of The Roman Spring of Mrs. Stone (2003), S. W. A. T. (2003) and Taking Lives (2004). He also starred as Gabriel in the 2007 movie adaptation of Blood and Chocolate, a popular book.
Read more about this topic: Olivier Martinez
Famous quotes containing the word career:
“What exacerbates the strain in the working class is the absence of money to pay for services they need, economic insecurity, poor daycare, and lack of dignity and boredom in each partner’s job. What exacerbates it in upper-middle class is the instability of paid help and the enormous demands of the career system in which both partners become willing believers. But the tug between traditional and egalitarian models of marriage runs from top to bottom of the class ladder.”
—Arlie Hochschild (20th century)
“Clearly, society has a tremendous stake in insisting on a woman’s natural fitness for the career of mother: the alternatives are all too expensive.”
—Ann Oakley (b. 1944)
“A black boxer’s career is the perfect metaphor for the career of a black male. Every day is like being in the gym, sparring with impersonal opponents as one faces the rudeness and hostility that a black male must confront in the United States, where he is the object of both fear and fascination.”
—Ishmael Reed (b. 1938)