History
Oliva has been known since 972, when it was donated by Emperor Otto I to his daughter in law Theophano, who then in turn donated it (along with other properties in the nearby villages of Montalto and Mairano near Casteggio) to the monastery of Santa Maria delle Cacce in Pavia. Passed under the dominion of Pavia (1164), it was included in the podesteria (jurisdiction) of Montalto Pavese enfeoffed to the family Belcredi. The domain of the monastery continued, as mere possession of land, under the rule of the feudal lords of Montalto; before the seventeenth century the property was passed to the family Isimbardi of Pavia, vassals of the neighboring Santa Giuletta, who owned the castle and about two thirds of the lands of the village. With the extinction of the family Isimbardi in 1878, the property of the estate of Oliva passed to the De Benedetti family of Turin and then to another family from Milan.
Between 1928 and 1946 the municipality was abolished and aggregated to Corvino San Quirico.
Read more about this topic: Oliva Gessi
Famous quotes containing the word history:
“We don’t know when our name came into being or how some distant ancestor acquired it. We don’t understand our name at all, we don’t know its history and yet we bear it with exalted fidelity, we merge with it, we like it, we are ridiculously proud of it as if we had thought it up ourselves in a moment of brilliant inspiration.”
—Milan Kundera (b. 1929)
“Postmodernism is, almost by definition, a transitional cusp of social, cultural, economic and ideological history when modernism’s high-minded principles and preoccupations have ceased to function, but before they have been replaced with a totally new system of values. It represents a moment of suspension before the batteries are recharged for the new millennium, an acknowledgment that preceding the future is a strange and hybrid interregnum that might be called the last gasp of the past.”
—Gilbert Adair, British author, critic. Sunday Times: Books (London, April 21, 1991)
“I cannot be much pleased without an appearance of truth; at least of possibility—I wish the history to be natural though the sentiments are refined; and the characters to be probable, though their behaviour is excelling.”
—Frances Burney (1752–1840)