Old Scores - Plot

Plot

Old Scores revolves around a controversial (fictional) rugby match between Wales and New Zealand which was won by Wales. On his death-bed, the touch judge confesses to failing to disallow the winning try for an infringement by the Welsh scorer. The Welsh Rugby Union President announces that in order to set the record straight, there should be a rematch between the two teams - using the same players who had played the match 25 years earlier.

The teams are forced to re-assemble, each bringing along not only their 25 years of unfitness, but also various skeletons in the closet - most notably the major falling-out between two of Wales's star players, Bleddyn Morgan and David Llewellyn, whose friendship had ended acrimoniously many years earlier. Morgan, had since moved to New Zealand, and initially refuses to play the match. It is later revealed that this is because of a love triangle which had developed between the two and Llewellyn's fiancée Bronwen. He is persuaded to play, for the sake of his country, but there is considerable acrimony between the two players which threatens to disrupt the team's performance.

The film is a blend of drama and comedy - the latter especially revolving around the efforts of the players to come to grips with both their middle-aged bodies and the changes in rugby since their time as international players (rugby was a totally amateur sport in 1966; by 1991 it had become big business). The New Zealand team are a rag-tag bunch whose later lives have taken them in different directions: the team's "hard man" has become a peace-loving Salvation Army officer, one of the team has become a vote-grabbing politician, yet another has become a homeless drunk. All are reassembled and put through their paces by their 1970s coach, "Acid" (a biting caricature by Martyn Sanderson of fabled All Blacks coach Fred Allen). The film culminates in the replayed game, played at Cardiff Arms Park.

According to the Helen Martin and Sam Edwards' book New Zealand Film 1912 - 1996: "The dialogue is witty and characterisations are fine, if deliberately overplayed, but the ending turns the film into a shaggy-dog story." The match ball is replaced by Wales's "lucky ball", an antique taken from the Welsh Rugby Museum by Price. With the scores tied, a shot is taken at goal, but the ancient leather of the ball is not strong enough and it deflates, landing limply on the crossbar where it remains. The final scene of the film shows an official review into the match deciding that it should be replayed again.