History
Coimbra (the Roman Aeminium) is the seat of a bishopric since the 5th century, after neighbouring Conimbriga was invaded and partially destroyed by the invading Sueves in 468. Almost nothing is known of the cathedrals that preceded the Sé Velha in Coimbra. In 1139, after the Battle of Ourique, King Afonso Henriques decided to finance the building of a new cathedral, given the bad shape of its predecessor. The definitive impulse to the project was given by Bishop Miguel Salomão, who helped pay for the works. In 1185, King Sancho I, second King of Portugal, was crowned in the new cathedral, indicating that the building work was in an advanced state. The basic building was finished in the first decades of the 13th century, even though the cloisters were begun only in 1218, during the reign of King Afonso II.
The project of the Romanesque cathedral is attributed to Master Robert, a - possibly – French architect who was directing the building of Lisbon Cathedral at that time and visited Coimbra regularly. The works were supervised by Master Bernard, possibly also French, who was succeeded by Master Soeiro, an architect active in other churches around the Oporto Diocese.
In the 16th century there were many additions to the cathedral. The chapels, walls and pillars of the nave were covered with tiles, the monumental Porta Especiosa was built in the north side of the façade, and the southern chapel of the apse was rebuilt in Renaissance style. The basic architecture and structure of the Romanesque building was, nevertheless, left intact. In 1772, several years after the expulsion of the Jesuits from Portugal by the Marquis of Pombal, the seat of the bishopric was transferred from the old medieval cathedral to the Mannerist Jesuit church, thereafter called the New Cathedral of Coimbra (Sé Nova de Coimbra).
Read more about this topic: Old Cathedral Of Coimbra
Famous quotes containing the word history:
“The history of all previous societies has been the history of class struggles.”
—Karl Marx (18181883)
“Throughout the history of commercial life nobody has ever quite liked the commission man. His function is too vague, his presence always seems one too many, his profit looks too easy, and even when you admit that he has a necessary function, you feel that this function is, as it were, a personification of something that in an ethical society would not need to exist. If people could deal with one another honestly, they would not need agents.”
—Raymond Chandler (18881959)
“The visual is sorely undervalued in modern scholarship. Art history has attained only a fraction of the conceptual sophistication of literary criticism.... Drunk with self-love, criticism has hugely overestimated the centrality of language to western culture. It has failed to see the electrifying sign language of images.”
—Camille Paglia (b. 1947)