"Ol' Man River" (music by Jerome Kern, lyrics by Oscar Hammerstein II) is a song in the 1927 musical Show Boat that expresses the African American hardship and struggles of the time with the endless, uncaring flow of the Mississippi River; it is sung from the point-of-view of a black dock worker on a showboat, and is the most famous song from the show. Meant to be performed in a slow tempo, it is sung completely once by the dock worker "Joe" who travels with the boat, and, in the stage version, is heard four more times in brief reprises. Joe serves as a sort of musical one-man Greek chorus, and the song, when reprised, comments on the action, as if saying, "This has happened, but the river keeps rolling on anyway."
The song is notable for several aspects: the lyrical pentatonic-scale melody, the subjects of toil and social class, metaphor to the Mississippi, and as a bass solo (rare in musicals, solos for baritones or tenors being more common).
Paul Whiteman and His Orchestra had a no. 1 hit recording of the song in 1928 sung in a much faster tempo than Kern and Hammerstein intended, and featuring Bing Crosby on vocals and Bix Beiderbecke on cornet. A second version, by Paul Whiteman with Paul Robeson on vocals and sung in a dance tempo, was inducted into the Grammy Hall of Fame in 2006.
Read more about Ol' Man River: Various Versions, Turning An Upbeat-sounding Melody Into A Tragic One, Paul Robeson's Alterations To The Song Lyrics, Parodies and References
Famous quotes containing the words man and/or river:
“There is something in the breast of almost every man, which at bottom takes offense at the attentions of any other man offered to a woman, the hope of whose nuptial love he himself may have discarded. Fain would a man selfishly appropriate all the hearts which have ever in any way confessed themselves his.”
—Herman Melville (18191891)
“It is like watching a nation busily engaged in heaping up its own funeral pyre.... As I look ahead, I am filled with foreboding. Like the Roman, I seem to see the River Tiber foaming with much blood.”
—J. Enoch Powell (b. 1912)