Ol' Man River

"Ol' Man River" (music by Jerome Kern, lyrics by Oscar Hammerstein II) is a song in the 1927 musical Show Boat that expresses the African American hardship and struggles of the time with the endless, uncaring flow of the Mississippi River; it is sung from the point-of-view of a black dock worker on a showboat, and is the most famous song from the show. Meant to be performed in a slow tempo, it is sung completely once by the dock worker "Joe" who travels with the boat, and, in the stage version, is heard four more times in brief reprises. Joe serves as a sort of musical one-man Greek chorus, and the song, when reprised, comments on the action, as if saying, "This has happened, but the river keeps rolling on anyway."

The song is notable for several aspects: the lyrical pentatonic-scale melody, the subjects of toil and social class, metaphor to the Mississippi, and as a bass solo (rare in musicals, solos for baritones or tenors being more common).

Paul Whiteman and His Orchestra had a no. 1 hit recording of the song in 1928 sung in a much faster tempo than Kern and Hammerstein intended, and featuring Bing Crosby on vocals and Bix Beiderbecke on cornet. A second version, by Paul Whiteman with Paul Robeson on vocals and sung in a dance tempo, was inducted into the Grammy Hall of Fame in 2006.

Famous quotes containing the words man and/or river:

“We stand at once the wonder and admiration of the whole world, and we must enquire what it is that has given us so much prosperity, and we shall understand that to give up that one thing, would be to give up all future prosperity. This cause is that every man can make himself.”
—Abraham Lincoln (1809–1865)

“There are knives that glitter like altars
In a dark church
Where they bring the cripple and the imbecile
To be healed.

There’s a woden block where bones are broken,
Scraped clean—a river dried to its bed”
—Charles Simic (b. 1938)