Oireachtas Na Gaeilge - History

History

The first Oireachtas na Gaeilge festival was held in 1897 in the Round Room of Dublin's Rotunda, one of the largest halls in the city at that time. It was just a half-day festival, but the attendance still exceeded a thousand people, an unexpected level of interest.

In contrast to today's festival, there was little emphasis on the performing arts. The competitions included two for poetry, five for prose essays, one for poetry compilations; a competition for unpublished songs or stories in Irish; a competition for new song compositions and a recitation competition.

The popularity of the Oireachtas waned in the early part of the twentieth century, and the festival was cancelled for a number of years in the 1920s and 1930s. In response, the organisers, under the Directorship of Liam Ó Maolaodha attempted from the 1990s on to market the festival to younger speakers of Irish via outings, discos, and other youth-oriented events.

The festival was originally held in Dublin, but since the 1970s, it has been held in different cities and towns around Ireland. The festival culminates in four major competitions over the weekend: Comórtas na mBan, a Sean-nós singing competition for women, Comórtas na bhFear, for men, Corn Uí Riada, for all age and gender categories, and the Comórtas Damhsa ar an Sean Nós ("Steip"), a free-style dancing competition based on the Conamara individual step style now popular around the country. Past winners of Corn Uí Riada include Áine Uí Cheallaigh, Lillis Ó Laoire, Máirtín Tom Sheánín Mac Donnchadha, Mícheál Ó Confhaola and 2008 winner Ciarán Ó Con Cheanainn from An Spidéal. Contae na Gaillimhe.

Read more about this topic:  Oireachtas Na Gaeilge

Famous quotes containing the word history:

    There is nothing truer than myth: history, in its attempt to “realize” myth, distorts it, stops halfway; when history claims to have “succeeded” this is nothing but humbug and mystification. Everything we dream is “realizable.” Reality does not have to be: it is simply what it is.
    Eugène Ionesco (b. 1912)

    The true theater of history is therefore the temperate zone.
    Georg Wilhelm Friedrich Hegel (1770–1831)

    It is the true office of history to represent the events themselves, together with the counsels, and to leave the observations and conclusions thereupon to the liberty and faculty of every man’s judgement.
    Francis Bacon (1561–1626)