Literature
Besides the influence of French literature, small-scale literature has survived in the other Oïl languages. Theatrical writing is most notable in Picard (which maintains a genre of vernacular marionette theatre), Poitevin and Saintongeais. Oral performance (story-telling) is a feature of Gallo, for example, while Norman and Walloon literature, especially from the early 19th century tend to focus on written texts and poetry (see, for example, Wace and Jèrriais literature).
As the vernacular Oïl languages were displaced from towns, they have generally survived to a greater extent in rural areas - hence a preponderance of literature relating to rural and peasant themes. The particular circumstances of the self-governing Channel Islands developed a lively strain of political comment, and the early industrialisation in Picardy led to survival of Picard in the mines and workshops of the regions. The mining poets of Picardy may be compared with the tradition of rhyming weaver poets of Ulster Scots in a comparable industrial milieu.
There are some regional magazines, such as Ch'lanchron (Picard), Le Viquet (Norman), Les Nouvelles Chroniques du Don Balleine (Jèrriais), and El Bourdon (Walloon), which are published either wholly in the respective Oïl language or bilingually with French. These provide a platform for literary writing.
Read more about this topic: Oil Languages
Famous quotes containing the word literature:
“In literature the ambition of the novice is to acquire the literary language: the struggle of the adept is to get rid of it.”
—George Bernard Shaw (1856–1950)
“Philosophy, astronomy, and politics were marked at zero, I remember. Botany variable, geology profound as regards the mud stains from any region within fifty miles of town, chemistry eccentric, anatomy unsystematic, sensational literature and crime records unique, violin player, boxer, swordsman, lawyer, and self-poisoner by cocaine and tobacco.”
—Sir Arthur Conan Doyle (1859–1930)
“A book is not an autonomous entity: it is a relation, an axis of innumerable relations. One literature differs from another, be it earlier or later, not because of the texts but because of the way they are read: if I could read any page from the present time—this one, for instance—as it will be read in the year 2000, I would know what the literature of the year 2000 would be like.”
—Jorge Luis Borges (1899–1986)