Live Performance and Covers
Madonna performed "Oh Father" on her 1990 Blond Ambition World Tour with "Live to Tell", during the second segment of the show. As the performance of "Like a Prayer" ended, Madonna, who was dressed in a clergyman's robe with a crucifix around her neck, and a veil around her head, knelt on a church nave, while incense fumes wafted around her. She started singing "Live to Tell" from a confession bench, with Roman columns and a platform full of votive candles in the background. In the middle of the song, she started singing "Oh Father" while a dancer in a black frock played the role of a priest. The dancer, Carlton Wilborn, recalled that this performance required a lot of rehearsal time, since the dance portrayed Madonna as a woman trying to find her religion. He explained: "One side knew she needed it, another side was resistant, and our dance represented that battle inside." At the end of the performance, Wilborn pushed down Madonna's head before pulling her back up again, thus portraying his role as the priest, trying to wake up Madonna to the importance of religion. Two different performances were taped and released on video, the Blond Ambition – Japan Tour 90, taped in Yokohama, Japan, on April 27, 1990, and the Live! – Blond Ambition World Tour 90, taped in Nice, France, on August 5, 1990.
British alternative band My Vitriol released a rock version of the song on their 2001 album, Finelines. A cover version by Giant Drag done in folk rock style was included on the 2007 Madonna tribute compilation Through the Wilderness. In 2010 Sia covered the song on her 2010 album, We Are Born. K. Ross Hoffman from Allmusic praised this version, saying that Sia's voice sounded throaty and it "recalled any number of tortured '90s alt-rock songstresses".
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Famous quotes containing the words live, performance and/or covers:
“They live together without king, without government, and each is his own master.... Beyond the fact that they have no church, no religion and are not idolaters, what more can I say? They live according to nature, and may be called Epicureans rather than Stoics.”
—Amerigo Vespucci (1454–1512)
“The audience is the most revered member of the theater. Without an audience there is no theater. Every technique learned by the actor, every curtain, every flat on the stage, every careful analysis by the director, every coordinated scene, is for the enjoyment of the audience. They are our guests, our evaluators, and the last spoke in the wheel which can then begin to roll. They make the performance meaningful.”
—Viola Spolin (b. 1911)
“Hatred stirs up strife, but love covers all offenses.”
—Bible: Hebrew, Proverbs 10:12.